Share to: share facebook share twitter share wa share telegram print page

 

Zutiste

The Zutistes or the Circle of Poets Zutiques was an informal group of French poets, painters and musicians who met at the Hôtel des Étrangers, at the corner of rue Racine and rue de l'École-de-Médecine, in Paris in September and October 1871.

Background

The Zutistes were a fringe spin-off from a splinter group of Parnassians, known as the "Nasty Fellows" or "Villains Bonshommes",[1] who formed a Parisian dining club at the close of the 1860s. Without having a formal manifesto, and taking their name from the French exclamation of baffled exasperation, Zut,[2] this informal gathering of artists known as the Zutistes gathered around the figure of the pianist Ernest Cabaner, who worked as a bartender/piano player at the hotel. Anarchic in spirit, they looked back regretfully to the atmosphere of the Paris Commune of March to May 1871. [3] A significant figure in the circle was Charles Cros, while other members were later better known, like Verlaine and Rimbaud.

The Album

The most significant trace of the movement came with the re-discovery in the Thirties of the Zutique Album, with some 101 literary entries accompanied by (sometimes pornographic) drawings.[4]

Shot through with black humour, and riddled with parody and pastiche of contemporary styles and attitudes,[5] the album is the best guide to the Circle's membership of some fourteen names. A central target of the Album's mockery was the recently successful Parnassian Francois Coppee, while other more established figures like José-Maria de Heredia and Leconte de Lisle were also in the line of fire.[6] This album is in the form of an in-quarto Italian, black hardback cover, about thirty sheets handwritten, the other pages remained blank.

Aftermath

Nostalgia for the circle persisted among its members long after its break-up, perhaps as early as the winter of 1871–1872: thus for example the young Zutiste Raoul Ponchon was one of only seven recipients of Rimbaud's A Season in Hell;[7] Charles Cros in 1883 used "zutique" to name a new poetry circle; while (perhaps coincidentally) as late as in 1897 the claim would be made that "man is by nature essentially 'zutique'".[8]

See also

References

  1. ^ G Robb, Rimbaud (London 2001) p. 129
  2. ^ G Robb, Rimbaud (London 2001) p. 129n
  3. ^ G Robb, Rimbaud (London 2001) p. 129
  4. ^ J Austin, Proust, Pastiche and the Postmodern (2013) p. 37
  5. ^ J Austin, Proust, Pastiche and the Postmodern (2013) p. 37
  6. ^ J Austin, Proust, Pastiche and the Postmodern (2013) p. 38
  7. ^ G Robb, Rimbaud (London 2001) p. 129
  8. ^ Anon, quoted in S Whidden, Authority in Crisis in French Literature (2016) p 64
Kembali kehalaman sebelumnya


Index: pl ar de en es fr it arz nl ja pt ceb sv uk vi war zh ru af ast az bg zh-min-nan bn be ca cs cy da et el eo eu fa gl ko hi hr id he ka la lv lt hu mk ms min no nn ce uz kk ro simple sk sl sr sh fi ta tt th tg azb tr ur zh-yue hy my ace als am an hyw ban bjn map-bms ba be-tarask bcl bpy bar bs br cv nv eml hif fo fy ga gd gu hak ha hsb io ig ilo ia ie os is jv kn ht ku ckb ky mrj lb lij li lmo mai mg ml zh-classical mr xmf mzn cdo mn nap new ne frr oc mhr or as pa pnb ps pms nds crh qu sa sah sco sq scn si sd szl su sw tl shn te bug vec vo wa wuu yi yo diq bat-smg zu lad kbd ang smn ab roa-rup frp arc gn av ay bh bi bo bxr cbk-zam co za dag ary se pdc dv dsb myv ext fur gv gag inh ki glk gan guw xal haw rw kbp pam csb kw km kv koi kg gom ks gcr lo lbe ltg lez nia ln jbo lg mt mi tw mwl mdf mnw nqo fj nah na nds-nl nrm nov om pi pag pap pfl pcd krc kaa ksh rm rue sm sat sc trv stq nso sn cu so srn kab roa-tara tet tpi to chr tum tk tyv udm ug vep fiu-vro vls wo xh zea ty ak bm ch ny ee ff got iu ik kl mad cr pih ami pwn pnt dz rmy rn sg st tn ss ti din chy ts kcg ve 
Prefix: a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9