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Nachtlied (Reger)
Nachtlied (Night Song) Op. 138, No. 3, is a sacred motet for unaccompanied mixed choir by Max Reger. The German text is a poem by Petrus Herbert, beginning "Die Nacht ist kommen" (The night has come).[1] The piece is in B minor and scored for five voices SATBB. Composed in Meiningen in 1914, it was published in 1916 after Reger's death as the third of Acht geistliche Gesänge (Eight Sacred Songs). HistoryReger composed the motets of Op. 138 in Meiningen in 1914,[2] at the beginning of World War I, when he also worked on Requiem projects in Latin and German. He composed in "new simplicity" eight motets forming Acht geistliche Gesänge (Eight Sacred Songs), Op. 138.[3] He died before finishing to check the Korrekturbögen (proofs) from the publisher.[4][5] Nachtlied was published by N. Simrock in 1916 as the third of Acht geistliche Gesänge.[3][2]
Text and musicThe German text is a poem in three stanzas of seven lines each by Petrus Herbert.
The poem with a rhyming scheme of ABABCCC reflects in the first stanza that night has come as a time to rest in peace, protected and blessed by God. The second stanza addresses God, praying for keeping away unclean spirits and protection for both body and soul by a guardian angel. The third stanza expects joyful rising the next morning, dedication all work and thoughts to God's praise. Reger set the motet for five voices (with divided bass) in B minor in common time, marked "Ziemlich langsam" (Rather slowly), mostly in homophony, reminiscent of chorales by Johann Sebastian Bach.[6] All three stanzas are set differently, with subtle dynamic changes to follow the meaning of the text. The first stanza is mostly quiet, illustrating the rest at night. The second stanza begins forte with a prayer for protection from evil spirits. A call to send "dein Engel" (your angel) is again softer. The third stanza reflects pianissimo "Let us fall asleep with good thoughts", then stronger "awake happily", finally, ever broadening, the prayer that all we do may be to God's praise.[6] Selected recordingsThe motet has been recorded as part of the complete motets Op. 138, for example by the NDR Chor conducted by Hans-Christoph Rademann.[3] It appears in a 1995 collection, combining Reger's Eight Sacred Songs with Six Sacred Songs by Hugo Wolf, Regers O Tod, wie bitter bist du from Op. 110, and Anton Webern's Entflieht auf leichten Kähnen, Op. 2, performed by the KammerChor Saarbrücken, conducted by Georg Grün.[7] The song was chosen for a 2008 collection The Best of The King's Singers. [8] References
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