Mahesh Dattani (born 7 August 1958) is an Indian director, actor, playwright and writer. He wrote such plays as Final Solutions,[1]Dance Like a Man, Bravely Fought the Queen, On a Muggy Night in Mumbai, Tara, Thirty Days in September 2007 [2][3] and The Big Fat City.
Dattani makes a bold move when he chooses to address the issues concerning gender discrimination. His writings then become important when you wish to explore how deeply certain stereotypes are rooted in society. [5]
Dattani is a graduate in history, Economics and Political Science. He completed his post-graduate in Marketing and Advertising Management because he wanted to become a copywriter. He worked with the Bangalore Little Theatre, where his first role was in Utpal Dutt'sSurya Shikhar.[9]
After reading Edward Albee's play Who's Afraid of Virginia Woolf? early in his life, he became interested in writing. He was also influenced by Gujarati playwright Madhu Rye's Kumarni Agashi and developed an interest in play writing.[10]
Career
Mahesh Dattani began his career as a copywriter in an advertising firm. In 1986, he wrote his first full-length play, Where There's a Will, and since 1995, he has been working as a full-time theatre professional.[11] He has also worked with his father in the family business.[9]
Dattani is also a film director. His debut film is Mango Souffle, adapted from one of his plays. He also wrote and directed the movie Morning Raaga.[12]
Sahitya Kala Parishad selected Final Solutions (1993), Tara (2000) and 30 Days in September (2007) as best productions of the year, directed by Arvind Gaur.
^Saraswat, Surbhi. "Writing Wrongs: Mahesh Dattani's Thirty Days in September as a Trauma Narrative." Turkish Online Journal of Qualitative Inquiry 12.3 (2021).
^Saraswat, S., “Urban Materiality and Social Change: Mapping the Urban Reality in Mahesh Dattani's the Big Fat City”, ECS Transactions, vol. 107, no. 1, pp. 13701–13708, 2022.
^Diwan Singh Bajali (20 February 2003). "Going bananas over Mango Souffle". The Hindu. Archived from the original on 31 July 2004. Retrieved 2 April 2009.
9. G Baskaran, ed., Girish Karnad and Mahesh Dattani: Methods and Motives, Yking Books, Jaipur, 2012.
External links
Bhattacharya, Anindya. "Desire and the Postcolonial Nation" in Seven Steps around the Fire and Final Solutions. The Plays of Mahesh Dattani: An Anthology of Recent Criticism. Ed. Tutun Mukherjee. New Delhi: Pencraft International, 2012 (ISBN978-93-82178-03-3), pp. 184–196.
Roy, Pinaki. "Mahesh Dattani's Final Solutions: A Brief Rereading". Mahesh Dattani: His Stagecraft in Indian Theatre. Ed. Bite, V. New Delhi: Authors Press, 2013 (ISBN978-81-7273-737-5), pp. 111–24.
Das, B.K. "Mahesh Dattani's Dance Like a Man: A Thematic Study". The Atlantic Literary Review 15.3 (2014). Ed. Rama Kundu. New Delhi: Atlantic Pub., 2014 (ISBN978-81-269-2052-5), pp. 73–80.
Das, B.K. "In Search of Shakespearean Echoes in Mahesh Dattani: A Study of The Big Fat City as a Critique of Contemporary Urban Indian Society". Yearly Shakespeare Vol. XIV (2016). Ed. Goutam Ghosal. Santiniketan: Sri Aurobindo Study Centre, 2016 (ISSN 0976-9536), pp. 60–69.
Das, B.K. "The Tale of an Imperial Kin: Unfolding the East-West Problematic in Mahesh Dattani's The Tale of a Mother Feeding Her Child". World Journal of Gender & Literature 4.1 (June 2017). Ed. Lata Mishra. New Delhi: Authorspress, 2017 (ISSN 2349-1620), pp. 135–142.
Bhattacharyya, Joydeep. "Vijay Tendulkar's A Friend's Story and Mahesh Dattani's Seven Steps Around the Fire and On a Muggy Night in Mumbai: Reperforming Gender". IUP Journal of English Studies, 14.3 (Sept, 2019). ISSN 0973-3728, pp. 7-20.
