ID |
Title |
Key |
Genre |
Scored for |
Composed |
IMSLP |
Notes
|
Sacred choral music
|
WAB 1 |
Afferentur regi |
F major |
Offertorium |
Choir and three trombones ad lib. |
1861 |
♫ |
|
WAB 2 |
Am Grabe |
F minor |
Elegy |
Male choir |
1861 |
♫ |
Reissue a cappella of first three strophes of Vor Arneths Grab (WAB 53). Elegy for Josefine Hafferl
|
WAB 3/1 |
Asperges me No. 1 |
Aeolian mode |
Antiphon |
Choir and organ |
c. 1845 |
♫ |
Antiphon for the Asperges of Septuagesima Sunday till the 4th Sunday of Lent
|
WAB 3/2 |
Asperges me No. 2 |
F major |
Antiphon |
Choir and organ |
c. 1845 |
♫ |
Antiphon for the Asperges of Passion Sunday
|
WAB 4 |
Asperges me |
F major |
Antiphon |
Choir |
c. 1844 |
♫ |
Antiphon for the Asperges
|
WAB 5 |
Ave Maria |
F major |
Hymn |
Soprano, alto, choir, organ, and cello |
1856 |
♫ |
Hail Mary, a Marian hymn
|
WAB 6 |
Ave Maria |
F major |
Hymn |
Choir (SAATTBB) |
1861 |
♫ |
Hail Mary, a Marian hymn
|
WAB 7 |
Ave Maria |
F major |
Hymn |
Alto, and piano, organ or harmonium |
1882 |
♫ |
Hail Mary, a Marian hymn
|
WAB 8 |
Ave Regina caelorum |
Gregorian mode |
Antiphon |
Voices and organ |
c. 1886 |
♫ |
Ave Regina caelorum, a Marian antiphon
|
WAB 9 |
Messe für den Gründonnerstag |
F major |
Mass |
Choir |
1844 |
♫ |
Landmesse (Missa brevis) composed in Kronstorf for Maundy Thursday, put as Christus factus est by Grasberger. The extra Kyrie and Gloria, composed in 1845, are lost (see WAB 227).
|
WAB 10 |
Christus factus est |
D minor |
Gradual |
Choir (SSAATTBB), three trombones and strings ad lib. |
c. 1873 |
♫ |
Graduale for Maundy Thursday
|
WAB 11 |
Christus factus est |
D minor |
Gradual |
Choir |
1884 |
♫ |
Graduale for Maundy Thursday
|
WAB 12 |
Dir, Herr, dir will ich mich ergeben |
A major |
Chorale |
Choir |
c. 1845 |
♫ |
|
WAB 13 |
Ecce sacerdos magnus |
A minor |
Antiphon |
Choir, three trombones and organ |
1885 |
♫ |
Ecce sacerdos magnus for the celebration of the 100th anniversary of the Diocese of Linz
|
WAB 14 |
Entsagen |
B♭ major |
Cantata |
Soprano or tenor, choir, and piano or organ |
c. 1851 |
♫ |
1st Name-day cantata for prelate Michael Arneth. Lyrics from the poem Amaranth by Oskar von Redwitz
|
WAB 15 |
Festgesang St. Jodok spross aus edlem Stamm |
C major |
Cantata |
Soprano, tenor, bass, choir, and piano |
1855 |
♫ |
Name-day cantata for dean Jodok Stülz
|
WAB 16 |
Festive Cantata Preiset den Herrn |
D major |
Cantata |
Bass, male quartet, male choir, winds and timpani |
1862 |
♫ |
To celebrate the laying of the foundation stone of the new Mariä-Empfängnis-Dom
|
WAB 17a |
In jener letzten der Nächte |
F minor |
Chorale |
Voice and organ |
c. 1848 |
♫ |
Passion chorale for Maundy Thursday. 1st setting
|
WAB 17b |
In jener letzten der Nächte |
F minor |
Chorale |
Choir |
c. 1848 |
♫ |
2nd setting
|
WAB 18a |
Iam lucis orto sidere |
Phrygian mode |
Hymn |
Choir |
1868 |
♫ |
Also called In S. Angelum custodem. Version 1, 1st setting
|
WAB 18b |
Iam lucis orto sidere |
Phrygian mode |
Hymn |
Choir and organ |
1868 |
♫ |
Version 1, 2nd setting
|
WAB 18c |
Iam lucis orto sidere |
G minor |
Hymn |
Male choir |
1886 |
♫ |
Version 2
|
WAB 19 |
Inveni David |
F minor |
Offertorium |
Male choir and four trombones |
1868 |
♫ |
|
WAB 20 |
Inveni David |
|
|
Voices and organ |
1879 |
♫ |
Ending verse Inveni David of Os justi (WAB 30), which was skipped in the first edition. Wrongly put as separate work by Grasberger
|
WAB 21 |
Libera me |
F major |
Libera me |
Choir and organ |
c. 1843 |
♫ |
|
WAB 22 |
Libera me |
F minor |
Libera me |
Choir (SSATB), three trombones, organ, cello, and contrabass |
1854 |
♫ |
Absoute for prelate Michael Arneth
|
WAB 23 |
Locus iste |
C major |
Gradual |
Choir |
1869 |
♫ |
|
WAB 24 |
Magnificat |
B♭ major |
Magnificat |
Vocal quartet, choir, two trumpets, timpani, organ, and strings without viola |
1852 |
♫ |
|
WAB 25 |
Windhaager Messe |
C major |
Mass |
Alto, two horns, and organ |
1842 |
♫ |
A Missa brevis composed in Windhaag, also called Messe in C-Dur (Mass in C major).
|
WAB 26 |
Mass No. 1 |
D minor |
Mass |
Vocal quartet, choir, orchestra, and organ ad lib. |
1864 |
♫ |
revised in 1876 and 1881/1882
|
WAB 27 |
Mass No. 2 |
E minor |
Mass |
Choir and winds |
1866 |
♫ |
2nd version: 1882
|
WAB 28 |
Mass No. 3 |
F minor |
Mass |
Vocal quartet, choir, orchestra, and organ ad lib. |
1868 |
♫ |
revised in 1876/1877, 1881/1883 and 1890/1893 (Schalk version)
|
WAB 29 |
Missa solemnis |
B♭ minor |
Mass |
Vocal quartet, choir, organ, and orchestra |
1854 |
♫ |
Missa solemnis for Friedrich Mayer's elevation
|
WAB 30 |
Os justi |
Lydian mode |
Gradual |
Choir and organ |
1879 |
♫ |
A cappella, except for the ending verse Inveni David, which was skipped in the first edition. See WAB 20.[2]
|
WAB 31 |
Pange lingua |
C major |
Hymn |
Choir |
c. 1835/1891 |
♫ |
A setting of Pange lingua; "restored" in 1891.
|
WAB 32 |
Tantum ergo |
D major |
Hymn |
Choir |
c. 1845 |
♫ |
A setting of Tantum ergo (last two verses of Pange lingua), incorrectly classified as Pange lingua by Grasberger[3]
|
WAB 33 |
Pange lingua |
Phrygian mode |
Hymn |
Choir |
1868 |
♫ |
A setting of Pange lingua and Tantum ergo
|
WAB 34 |
Psalm 22 |
E♭ major |
Psalm |
Choir and piano |
c. 1852 |
♫ |
Setting of Psalm 23 in the Vulgata
|
WAB 35 |
Psalm 112 |
B♭ major |
Psalm |
Double choir (SSAATTBB) and orchestra |
1863 |
♫ |
Setting of Psalm 113 in the Vulgata
|
WAB 36 |
Psalm 114 |
G major |
Psalm |
Choir (SAATB) and three trombones |
1852 |
♫ |
Setting of Psalm 116 in the Vulgata
|
WAB 37 |
Psalm 146 |
A major |
Psalm |
Vocal quartet, Double choir (SSAATTBB), and orchestra |
c. 1856 |
♫ |
Setting of verses one to 11 of Psalm 147 in the Vulgata
|
WAB 38 |
Psalm 150 |
C major |
Psalm |
Soprano, choir, and orchestra |
1892 |
♫ |
Setting of Psalm 150
|
WAB 39 |
Requiem |
D minor |
Requiem |
Vocal quartet, choir, one horn, three trombones, organ, and strings |
1849 |
♫ |
Composed for the death anniversary of Franz Sailer. Slight revision in 1892.
|
WAB 40 |
Salvum fac populum tuum |
F major |
Offertorium |
Choir |
1884 |
♫ |
Setting of verses 22–30 of the Te Deum
|
WAB 41 |
Four Tantum ergo |
B♭ major A♭ major E♭ major C major |
Hymn |
Choir and organ ad lib. |
1846/1888 |
♫ |
Four settings of Tantum ergo. Version two of 1888 is a cappella. NB: The WAB ordering deviates from the ordering by the composer.[4]
|
WAB 42 |
Tantum ergo |
D major |
Hymn |
Choir (SSATB) and organ |
1846/1888 |
♫ |
The fifth setting of Tantum ergo of 1846/1888
|
WAB 43 |
Tantum ergo |
A major |
Hymn |
Choir and organ |
c. 1845 |
♫ |
A setting of Tantum ergo
|
WAB 44 |
Tantum ergo |
B♭ major |
Hymn |
Choir, two trumpets, organ, and two violins |
c. 1854 |
♫ |
A setting of Tantum ergo
|
WAB 45 |
Te Deum |
C major |
Te Deum |
Vocal quartet, choir, orchestra, and organ ad lib. |
1881, 1884 |
♫ |
First-draft version: 1881, final version: 1884
|
WAB 46 |
Tota pulchra es |
Phrygian mode |
Antiphon |
Tenor, choir, and organ |
1878 |
♫ |
Tota pulchra es, a Marian antiphon
|
WAB 47 |
Totenlied No. 1 |
E♭ major |
Elegy |
Choir |
1852 |
♫ |
First religious elegy for Josef Seiberl
|
WAB 48 |
Totenlied No. 2 |
F major |
Elegy |
Choir |
1852 |
♫ |
Second religious elegy for Josef Seiberl
|
WAB 49 |
Trauungschor |
F major |
Weltliches Chorwerk |
Vocal quartet, male choir, and organ |
1865 |
♫ |
Lyrics by Franz Isidor Proschko. For the wedding celebration of Karl Kerschbaum with Maria Schimatschek
|
WAB 50 |
Veni Creator Spiritus |
Gregorian mode |
Gradual |
Voice and organ |
1884 at the latest |
♫ |
Veni Creator Spiritus, a gradual for Pentecost
|
WAB 51 |
Vexilla regis |
Phrygian mode |
Hymn |
Choir |
1892 |
♫ |
Vexilla Regis, a Hymn for Passion Sunday and Good Friday
|
WAB 52 |
Virga Jesse |
E minor |
Gradual |
Choir |
1885 |
♫ |
Gradual for the celebration of the 100th anniversary of the Diocese of Linz
|
WAB 53 |
Vor Arneths Grab |
F minor |
Elegy |
Male choir and three trombones |
1854 |
♫ |
Elegy for prelate Michael Arneth. Lyrics by Ernst Marinelli. First three strophes reissued a cappella as Am Grabe (WAB 2)
|
WAB 54 |
Zur Vermählungsfeier |
D major |
Weltliches Chorwerk |
Male choir |
1878 |
♫ |
For the wedding celebration of Anton Ölzelt Ritter von Newin with Amalie Edler von Wieser
|
Secular choral music
|
WAB 55 |
Der Abendhimmel |
A♭ major |
Weltliches Chorwerk |
Male quartet |
1862 |
♫ |
Lyrics by Joseph Christian Freiherr von Zeidlitz, 1st setting
|
WAB 56 |
Der Abendhimmel |
F major |
Weltliches Chorwerk |
Male choir |
1866 |
♫ |
2nd setting
|
WAB 57 |
Abendzauber |
G♭ major |
Weltliches Chorwerk |
3 yodelers, tenor or baritone, male choir and four horns |
1878 |
♫ |
Lyrics by Heinrich von der Mattig
|
WAB 58 |
Wie bist du, Frühling, gut und treu |
G major |
Lied |
Voice and piano |
1856 |
♫ |
Also called Amaranths Waldeslieder. Lyrics from the poem Amaranth by Oskar von Redwitz.
|
WAB 59a |
An dem Feste |
D♭ major |
Weltliches Chorwerk |
Male choir |
1843 |
♫ |
Lyrics by Alois Knauer. Reissued as Festlied (WAB 59b) and Tafellied (WAB 59c)
|
WAB 59b |
Festlied |
D major |
Weltliches Chorwerk |
Male choir |
1928 |
♫ |
Transcription of An dem Feste (WAB 59a). Lyrics by Ludwig Carl Kraus. Not included in the Gesamtausgabe.
|
WAB 59c |
Tafellied |
D♭ major |
Weltliches Chorwerk |
Male choir |
1893 |
|
Shortened reissue of An dem Feste (WAB 59a) with lyrics by Karl Ptak
|
WAB 60 |
Mayer Cantata Auf Brüder! auf, und die Saiten zur Hand! |
D major |
Cantata |
Voices, male choir, choir, and winds |
1855 |
♫ |
1st Name-day cantata for prelate Friedrich Mayer, lyrics by Ernst Marinelli
|
WAB 61a |
Arneth Cantata Heil, Vater! Dir zum hohen Feste! |
D major |
Cantata |
male quartet, Choir (SATTBB), three horns, two trumpets, and bass trombone |
1852 |
♫ |
2nd Name-day cantata for prelate Michael Arneth. Lyrics by Ernst Marinelli. Wrongly put as second setting by Grasberger
|
WAB 61b |
Auf Brüder! auf zur frohen Feier! |
D major |
Cantata |
male quartet, Choir (SATTBB), three horns, two trumpets, and bass trombone |
1857 |
♫ |
Second setting as 2nd Name-day cantata for prelate Friedrich Mayer. Lyrics by Ernst Marinelli. Wrongly put as first setting by Grasberger
|
WAB 61c |
Heil Dir zum schönen Erstlingsfeste |
D major |
Cantata |
male quartet, Choir (S A T T B B), three horns, two trumpets, and bass trombone |
c. 1870 |
|
Reissue of the first setting for a Primizfeier (first Mass) in Kremsmünster. Lyrics by Beda Piringer. Not included in the Gesamtausgabe.
|
WAB 62 |
Des Dankes Wort sei mir vergönnt |
F major |
Weltliches Chorwerk |
Tenor, bass, and male choir (TTTBB) |
c. 1854 |
♫ |
Lyrics by Ernst Marinelli
|
WAB 63 |
Der deutsche Gesang (Das deutsche Lied) |
D minor |
Weltliches Chorwerk |
Male choir, four horns, three trumpets, three trombones, and bass tuba |
1892 |
♫ |
Lyrics by Erich Fels
|
WAB 64 |
Du bist wie eine Blume |
F major |
Weltliches Chorwerk |
Vocal quartet |
1861 |
♫ |
Lyrics by Heinrich Heine
|
WAB 65 |
Das edle Herz |
A major |
Weltliches Chorwerk |
Male choir |
c. 1851 |
♫ |
Lyrics by Ernst Marinelli
|
WAB 66 |
Das edle Herz |
A major |
Weltliches Chorwerk |
Choir |
1857 |
♫ |
2nd version for mixed choir
|
WAB 68 |
Frühlingslied |
A major |
Lied |
Voice and piano |
1851 |
♫ |
Lyrics by Heinrich Heine. For the Name-day of Aloisia Bogner
|
WAB 69 |
Die Geburt |
D♭ major |
Weltliches Chorwerk |
Male choir |
1851 |
♫ |
For the Name-day of Josef Seiberl
|
WAB 70 |
Germanenzug |
D minor |
Cantata |
Male quartet, male choir and brass band (3 horns, four trumpets, two cornets, three trombones, euphonium and tuba) |
1863–1864 |
♫ |
Secular cantata for a competition at the first Oberösterreichisches Sängerbundesfest. Lyrics by August Silberstein
|
WAB 71 |
Helgoland |
G minor |
Cantata |
Male choir and orchestra with cymbals |
1893 |
♫ |
Secular cantata to celebrate the 50th birthday of the Men's Choir of Vienna. Lyrics by August Silberstein
|
WAB 72 |
Herbstkummer |
E minor |
Lied |
Tenor and piano |
1864 |
♫ |
Lyrics by "Ernst"
|
WAB 73 |
Herbstlied |
F♯ minor |
Weltliches Chorwerk |
2 sopranos, male choir, and piano |
1864 |
♫ |
Lyrics by Friedrich von Sallet
|
WAB 74a |
Das hohe Lied |
A♭ major |
Weltliches Chorwerk |
Voices (TTB) and male choir |
1876 |
♫ |
Lyrics by Heinrich von der Mattig (Pseudonym for Heinrich Wallmann) – 1st version a cappella
|
WAB 74b |
Das hohe Lied |
A♭ major |
Weltliches Chorwerk |
Voices (TTB) and male choir, strings and brass instruments |
1879 |
♫ |
2nd version with accompaniment
|
WAB 75 |
Im April |
A♭ major |
Lied |
Voice and piano |
c. 1865 |
♫ |
Lyrics by Emanuel Geibel
|
WAB 76 |
Laßt Jubeltöne laut erklingen |
E♭ major |
Weltliches Chorwerk |
Male choir, two horns, two trumpets, and four trombones |
1854 |
♫ |
Festive song for the Joyous Entry of imperial bride Elisabeth in Linz. Lyrics by Hillischer.
|
WAB 77 |
Der Lehrerstand |
E♭ major |
Weltliches Chorwerk |
Male choir |
c. 1847 |
♫ |
Lyrics possibly by Ernst Marinelli
|
WAB 78 |
Das Lied vom deutschen Vaterland |
D♭ major |
Weltliches Chorwerk |
Male choir |
c. 1845 |
♫ |
|
WAB 79 |
Mein Herz und deine Stimme |
A major |
Lied |
Voice and piano |
1868 |
♫ |
Lyrics by August von Platen
|
WAB 80 |
Mitternacht |
A♭ major |
Weltliches Chorwerk |
Tenor, male choir, and piano |
1869 |
♫ |
Lyrics by Joseph Mendelssohn
|
WAB 81a |
Nachruf |
C minor |
Weltliches Chorwerk |
Male choir and organ |
1877 |
♫ |
Lyrics by Heinrich von der Mattig. Composed in memory of Josef Seiberl. Reissued as Trösterin Musik (WAB 81b)
|
WAB 81b |
Trösterin Musik |
C minor |
Weltliches Chorwerk |
Male choir and organ |
1886 |
♫ |
Reissue of Nachruf (WAB 81a) with lyrics of August Seuffert
|
WAB 82 |
Sängerbund |
C major |
Weltliches Chorwerk |
Male choir |
1882 |
♫ |
Lyrics by Heinrich von der Mattig (?) and Karl Kerschbaum.
|
WAB 83/1 |
Ein jubelnd Hoch in Leid und Lust |
D major |
Weltliches Chorwerk |
Male choir |
1851 |
♫ |
The first of two mottos for the Liedertafel Eferding
|
WAB 83/2 |
Lebt wohl, ihr Sangesbrüder |
A major |
Weltliches Chorwerk |
Male choir |
1851 |
♫ |
The second of two mottos for the Liedertafel Eferding
|
WAB 84.1 |
Wie des Bächleins Silberquelle |
G major |
Lied |
2 sopranos and piano |
c. 1845 |
♫ |
Sketch for a lied (60 bars). Same lyrics as Ständchen (WAB 84.2)
|
WAB 84.2 |
Ständchen |
G major |
Weltliches Chorwerk |
Tenor and male quartet |
c. 1846 |
♫ |
Lyrics possibly by Ernst Marinelli
|
WAB 85 |
Sternschnuppen |
F major |
Weltliches Chorwerk |
Male quartet |
c. 1848 |
♫ |
Lyrics by Ernst Marinelli
|
WAB 87 |
Träumen und Wachen |
A♭ major |
Weltliches Chorwerk |
Tenor and male choir |
1890 |
♫ |
Lyrics by Franz Grillparzer
|
WAB 89 |
Um Mitternacht |
F minor |
Weltliches Chorwerk |
Alto, male choir, and piano |
1864 |
♫ |
1st setting. Lyrics by Robert Prutz
|
WAB 90 |
Um Mitternacht |
F minor |
Weltliches Chorwerk |
Tenor and male choir |
1886 |
♫ |
2nd setting
|
WAB 91 |
Vaterländisch Weinlied |
C major |
Weltliches Chorwerk |
Male choir |
1866 |
♫ |
Lyrics by August Silberstein
|
WAB 92 |
O könnt ich dich beglücken (Vaterlandslied) |
A♭ major |
Weltliches Chorwerk |
Tenor, baritone, and male choir |
1866 |
♫ |
Lyrics by August Silberstein
|
WAB 93a |
Musikalischer Versuch nach dem Kammer-Styl |
D major |
Cantata |
Vocal quartet, choir (SSAATTBB), and piano |
1845 |
♫ |
Cantata composed in May 1845 as Lehrerbefähigungsprüfung (essay for teaching qualification)
|
WAB 93b |
Musikalischer Versuch nach dem Kammer-Styl |
D major |
Cantata |
Vocal quartet, choir (SSAATTBB), and piano |
1845 |
♫ |
2nd setting as Name-day cantata for Alois Knauer, pastor of the Kronstorf church.
|
WAB 93c |
Vergißmeinnicht |
D major |
Cantata |
Vocal quartet, choir (SSAATTBB), and piano |
1845 |
♫ |
"Don't forget me". Reissue of WAB 93b to remind Friedrich Mayer of his promises to appoint Bruckner in Sankt Florian
|
WAB 94a |
Volkslied |
C major |
Lied |
Voice and piano |
1882 |
♫ |
Lyrics by Josef Winter, 1st setting
|
WAB 94b |
Volkslied |
C major |
Weltliches Chorwerk |
Male choir |
1882 |
♫ |
2nd setting
|
WAB 95/1 |
Das Frauenherz, die Mannesbrust |
A major |
Weltliches Chorwerk |
Choir |
1868 |
♫ |
Motto for the Liedertafel Frohsinn. Lyrics by Karl Kerschbaum
|
WAB 95/2 |
Des Höchsten Preis, des Vaterlandes Ruhm |
C major |
Weltliches Chorwerk |
Male choir |
1868, possibly c. 1850 |
♫ |
Motto for the Liedertafel Sierning. Lyrics by Andreas Mittermayr
|
Orchestral works
|
WAB 96 |
March |
D minor |
March |
Orchestra |
1862 |
♫ |
Kitzler-Studienbuch, pp. 251–265
|
WAB 97 |
Three Orchestral Pieces |
E♭ major E minor F major |
Piece |
Orchestra |
1862 |
♫ |
Kitzler-Studienbuch, pp. 266–271; 272–277; 278–286
|
WAB 98 |
Overture |
G minor |
Overture |
Orchestra with piccolo |
1862–1863 |
♫ |
Two versions: 1862 and 1863 (modified coda at bars 233–288)
|
WAB 99 |
Symphony in F minor (Studiensymphonie) |
F minor |
Symphony |
Orchestra |
1863 |
♫ |
|
WAB 100 |
Symphony in D minor (Die Nullte) |
D minor |
Symphony |
Orchestra |
1869 |
♫ |
|
WAB 101 |
Symphony No. 1 (Das kecke Beserl) |
C minor |
Symphony |
Orchestra |
1865–1866 |
♫ |
1865: first concept Adagio & Scherzo; 1866 "Linz version", revised in 1877/1884; 1891 "Vienna version"
|
WAB 102 |
Symphony No. 2 |
C minor |
Symphony |
Orchestra |
1872 |
♫ |
1872 version with Scherzo second and Adagio third, revised in 1873 and 1876; 1877 version, revised in 1892
|
WAB 103 |
Symphony No. 3 (Wagner Symphony) |
D minor |
Symphony |
Orchestra |
1873 |
♫ |
1873 version, revised in 1874; 1876 version, revised in 1877–1878: most Wagner quotations removed, coda added to the Scherzo (not retained later); 1889 version
|
WAB 104 |
Symphony No. 4 (Die Romantische) |
E♭ major |
Symphony |
Orchestra |
1874 |
♫ |
1874-1876 version; 1878 version: new "Hunting" Scherzo and "Volksfest" Finale; 1880 version: new Finale; 1888 version with piccolo and cymbals
|
WAB 105 |
Symphony No. 5 |
B♭ major |
Symphony |
Orchestra |
1876–1878 |
♫ |
1876: first concept; revised in 1878
|
WAB 106 |
Symphony No. 6 |
A major |
Symphony |
Orchestra |
1881 |
♫ |
|
WAB 107 |
Symphony No. 7 |
E major |
Symphony |
Orchestra with Wagner tubas, triangle and cymbals |
1883–1885 |
♫ |
1883: first concept; revised in 1885
|
WAB 108 |
Symphony No. 8 (Die Apokalyptische) |
C minor |
Symphony |
Orchestra with Wagner tubas, triangle, cymbals and harps |
1887 |
♫ |
1887 version; 1888 Adagio; 1890 version: 3rd woodwind in first three movements, fewer cymbal clashes in Adagio, harps in Trio.
|
WAB 109 |
Symphony No. 9 |
D minor |
Symphony |
Orchestra with Wagner tubas |
1894–1896 |
♫ |
1894: first three movements; 1896: finale unfinished
|
Chamber music
|
WAB 110 |
Abendklänge |
E minor |
Duo |
Piano and violin |
1866 |
♫ |
A short Character piece
|
WAB 111 |
String Quartet |
C minor |
String quartet |
String quartet |
1862 |
♫ |
Kitzler-Studienbuch, pp. 165–196
|
WAB 112 |
String Quintet |
F major |
String quintet |
Viola quintet |
1879 |
♫ |
Slight revision in 1884.
|
WAB 113 |
Intermezzo in D minor |
D minor |
Intermezzo |
Viola quintet |
1879 |
♫ |
An alternative to the Scherzo of the String Quintet (WAB 112)
|
Brass ensemble music
|
WAB 114 |
Aequale No. 1 |
C minor |
Aequale |
3 trombones |
1847 |
♫ |
For the funeral of Bruckner's aunt Rosalia Mayrhofer
|
WAB 115 |
Apollo March |
E♭ major |
March |
Concert band |
1862 |
♫ |
Actually a composition (Mazzuchelli March) by Béla Kéler, another pupil of Sechter. Used as model for the Military march (WAB 116).[5]
|
WAB 116 |
Military march |
E♭ major |
March |
Concert band |
1865 |
♫ |
The Apollo March by Béla Kéler (WAB 115) was used as a model for this work.
|
Solo piano music
|
WAB 117 |
Erinnerung |
A♭ major |
Piece |
Piano |
1868 |
♫ |
|
WAB 118 |
Fantasie |
G major |
Fantasia |
Piano |
1868 |
♫ |
A two-part piece signed for Alexandrine Soika. Part I: Langsam und mit Gefühl; Part II: Allegro
|
WAB 119 |
Klavierstück |
E♭ major |
Piece |
Piano |
c. 1856 |
♫ |
|
WAB 120 |
Four Lancier-Quadrille |
C major |
Les Lanciers |
Piano |
c. 1850 |
♫ |
Compiled from popular operatic melodies for Aloisia Bogner
|
WAB 121 |
Quadrille |
D major |
Quadrille |
Piano four hands |
c. 1854 |
♫ |
6 parts: Pantalon, Été, Poule, Trénis, Pastourelle & Finale; signed for Marie Ruckensteiner
|
WAB 122 |
Steiermärker |
G major |
Piece |
Piano |
c. 1850 |
♫ |
A Ländler signed for Aloisia Bogner
|
WAB 123 |
Stille Betrachtung an einem Herbstabend |
F♯ minor |
Piece |
Piano |
1863 |
♫ |
Signed for Emma Thanner
|
WAB 124 |
Drei kleine Stücke |
G major G major F major |
Piece |
Piano four hands |
1853–1855 |
♫ |
Composed for the children of Josef Marböck
|
Music for organ
|
WAB 125 |
Fugue |
D minor |
Fugue |
Organ |
1861 |
♫ |
|
WAB 126/1 |
Postlude |
D minor |
Postlude |
Organ |
c. 1846 |
♫ |
|
WAB 126/2 |
Andante (Prelude) |
D minor |
Prelude |
Organ |
c. 1846 |
♫ |
|
WAB 127 |
Three Preludes |
E♭ major E♭ major D major |
Prelude |
Organ |
c. 1835 |
♫ |
Doubtful authorship,[6] possibly by Johann Baptist Weiss
|
WAB 128 |
Four Preludes |
E♭ major |
Prelude |
Organ |
c. 1835 |
♫ |
Doubtful authorship,[6] possibly by Johann Baptist Weiss
|
WAB 129 |
Prelude (Perger Präludium) |
C major |
Prelude |
Organ or harmonium |
1884 |
♫ |
|
WAB 131 |
Prelude and Fugue |
C minor |
Prelude and fugue |
Organ |
1847 |
♫ |
|
Lost works
|
WAB 132 |
Litanies |
|
Litany |
Choir and brass |
c. 1844 |
|
|
WAB 133 |
Requiem |
|
Requiem |
Male choir and organ |
1845 |
|
For the funeral of Bruckner's friend Johann Nepomuk Deschl
|
WAB 134 |
Salve Maria |
|
Hymn |
|
c. 1844 |
|
Marian hymn; possibly a Salve Regina
|
WAB 135 |
Zigeuner-Waldlied |
|
Weltliches Chorwerk |
|
1863 |
|
The foregoer in 3/4 time of Germanenzug (WAB 70)
|
Sketches
|
WAB 136 |
Domine, ad adjuvandum me festina |
D major |
Motet |
Choir |
1835 |
♫ |
Not by Bruckner, but Johann Baptist Weiss
|
WAB 138 |
Mild wie Bäche |
A♭ major |
Lied |
Voice and piano |
c. 1845 |
♫ |
Sketch for a lied (31 bars)
|
WAB 139 |
Mass |
E♭ major |
Mass |
Choir, two oboes, three trombones, organ, and strings |
c. 1846 |
♫ |
Sketch of Kyrie (58 bars)
|
WAB 140 |
Missa pro Quadragesima |
G minor |
Mass |
Choir, three trombones and organ |
c. 1845 |
♫ |
Mass for the Lent. Sketch of Kyrie (17 bars)
|
WAB 141 |
Requiem |
D minor |
Requiem |
|
1875 |
♫ |
Sketch of the Introit (18 bars)
|
WAB 142 |
Symphony in B-flat major |
B♭ major |
Symphony |
Orchestra |
1869 |
♫ |
Sketch for first movement (68 bars)[7]
|
Doubtful works
|
WAB 144 |
Herz Jesu-Lied |
B♭ major |
Motet |
Choir and organ |
c. 1846 |
♫ |
Authorship uncertain
|
WAB 145 |
O Du liebes Jesu-Kind |
F major |
Motet |
Voice and organ |
1845–1846 |
♫ |
Authorship uncertain
|
Addendum
|
WAB 146 |
Kronstorfer Messe |
D minor |
Mass |
Choir |
1843–1844 |
♫ |
A Missa brevis for the Lent composed in Kronstorf, also called Messe ohne Gloria (und Credo) (Mass without Gloria [and Credo]). Credo foreseen, but not composed.
|
WAB 147 |
Freier Sinn und froher Mut |
D major |
Weltliches Chorwerk |
Male choir |
1874 |
♫ |
Motto for the Gesangverein Liederkrans
|
WAB 148/1 |
Im Wort und Liede wahr und frei |
C major |
Weltliches Chorwerk |
Male choir |
1869 |
♫ |
The first of two mottos as posthumous respects for Simon Sechter. Lyrics by Johann Kajetan Markus
|
WAB 148/2 |
Wir alle jung und alt |
D minor |
Weltliches Chorwerk |
Male choir |
1869 |
♫ |
The second of two mottos as posthumous respects for Simon Sechter. Lyrics by Johann Kajetan Markus
|
WAB 149 |
Aequale No. 2 |
C minor |
Aequale |
3 trombones |
1847 |
♫ |
For the funeral of Bruckner's aunt Rosalia Mayrhofer (see WAB 114). Missing score of bass-trombone completed by Hans Bauernfeind
|
New attributions and findings
Secular choral music
|
WAB 200 |
Der Mondabend |
A major |
Lied |
Voice and piano |
c. 1850 |
♫ |
Lyrics by Johann Gottfried Kumpf. Lied composed for Aloisia Bogner
|
WAB 201 |
Der Trompeter an der Katzbach |
F minor |
Lied |
Voice and piano |
1862 |
|
Kitzler-Studienbuch, pp. 207–213. Lyrics by Julius Mosen.
|
WAB 202 |
Des Baches Frühlingsfeier |
D minor, A major |
Lied |
Voice and piano |
1861 |
|
Kitzler-Studienbuch, p. 23.
|
WAB 203 |
Heut kommt ja Freund Klose zum Gause |
C major |
Weltliches Chorwerk |
Vocal quartet |
1889 |
♫ |
A canon for vocal quartet
|
WAB 204 |
Nachglück |
C major |
Lied |
Voice and piano |
1861 |
|
Kitzler-Studienbuch, 1st setting: p. 19.
|
WAB 205 |
O habt die Thräne gern |
A minor |
Lied |
Voice and piano |
1861 |
|
Kitzler-Studienbuch, 1st setting: pp. 18–19.
|
WAB 206 |
Vor der schlummernden Mutter |
F major |
Lied |
Voice and piano |
1861 |
|
Kitzler-Studienbuch, p. 22.
|
WAB 207 |
Wie neid ich Dich, du stolzer Wald |
E♭ major |
Lied |
Voice and piano |
1861 |
|
Kitzler-Studienbuch, p. 24.
|
Chamber music
|
WAB 208 |
Rondo in C minor |
C minor |
Rondo |
String quartet |
1862 |
♫ |
Alternative Rondo for the String quartet (WAB 111), Kitzler-Studienbuch, pp. 197–206
|
WAB 209 |
Six Scherzi |
C major D minor A minor C major F major G minor |
Scherzos |
String quartet |
1862 |
|
Kitzler-Studienbuch, pp. 58–74.
|
WAB 210 |
Thema und Variationen |
E-flat major |
Variations |
String quartet |
1862 |
|
Kitzler-Studienbuch, pp. 92–104.
|
Solo piano music
|
WAB 211 |
Two Andante für Klavier |
E♭ major D minor |
Piece |
Piano |
1862 |
|
Kitzler-Studienbuch, pp. 49–51.
|
WAB 212 |
Chromatische Etüde |
F major |
Étude |
Piano |
1862 |
|
Kitzler-Studienbuch, pp. 79–80.
|
WAB 213 |
Duo |
A minor |
Piece |
Piano |
1862 |
|
Kitzler-Studienbuch, p. 39
|
WAB 214 |
Etüde |
G major |
Étude |
Piano |
1862 |
|
Kitzler-Studienbuch, pp. 77–78.
|
WAB 215 |
Four Fantasien |
D minor C minor E♭ major F major |
Fantasias |
Piano |
1862 |
|
Kitzler-Studienbuch, pp. 213–218.
|
WAB 216 |
Five Klavierstücke |
D minor G major B♭ major E♭ major E♭ major |
Pieces |
Piano |
1862 |
|
Kitzler-Studienbuch, p. 225–227
|
WAB 217 |
Three Märsche |
C major D minor F major |
Marches |
Piano |
1862 |
|
Kitzler-Studienbuch, p. 36, 37, 41.
|
WAB 218 |
Mazurca |
A minor |
Mazurka |
Piano |
1862 |
|
Kitzler-Studienbuch, p. 29.
|
WAB 219 |
Menuett |
C major |
Minuet |
Piano |
1862 |
|
Kitzler-Studienbuch, p. 30.
|
WAB 220 |
Menuett mit Trio |
G major |
Minuet |
Piano |
1862 |
|
Kitzler-Studienbuch, p. 35.
|
WAB 221 |
Four Polka |
C major |
Polkas |
Piano |
1862 |
|
Kitzler-Studienbuch, p. 27–28.
|
WAB 222 |
Seven Rondo |
G major C minor D minor F major G major E minor E♭ major |
Rondos |
Piano |
1862 |
|
Kitzler-Studienbuch, p. 105–134.
|
WAB 223 |
Five Themen und Variationen |
G major A major A major G major G major |
Variations |
Piano |
1862 |
|
Kitzler-Studienbuch, p. 81–90.
|
WAB 224 |
Two Walzer |
E♭ major C major |
Waltz |
Piano |
1862 |
|
Kitzler-Studienbuch, p. 25–26.
|
Lost works
|
WAB 225 |
Three Stücke |
|
Pieces |
|
c. 1857 |
|
|
WAB 226 |
Choral |
|
Choral |
|
1896 |
|
|
WAB 227 |
Kyrie and Gloria |
F major |
Mass |
Choir |
1845 |
|
Extra Kyrie and Gloria for the Messe für den Gründonnerstag, WAB 9
|
WAB 228 |
Die Rose |
|
|
|
c. 1885 |
|
A march or a lied, dedicated to Maria Wimmer[8]
|
WAB 229 |
Irische Lieder |
|
Lieder |
|
c. 1846 |
|
|
Sketches
|
WAB 230 |
Intoitus ad Rorate |
G major |
Chorale |
|
c. 1846 |
|
|
WAB 231 |
Es regnet |
E minor |
Lied |
Voice and piano |
1862 |
|
Kitzler-Studienbuch, pp. 46–47
|
WAB 232 |
Herzeleid |
E minor |
Lied |
Voice and piano |
1861 |
|
Kitzler-Studienbuch, p. 20
|
WAB 233 |
Kindliche Lieb |
F major |
Weltliches Chorwerk |
male choir |
|
|
|
WAB 234 |
Last des Herzens |
E♭ major |
Lied |
Voice and piano |
1862 |
|
Kitzler-Studienbuch, p. 43
|
WAB 235 |
Nachglück |
F major |
Lied |
Voice and piano |
1861 |
|
Kitzler-Studienbuch, 2nd setting: p. 21
|
WAB 236 |
O habt die Thräne gern |
A minor |
Lied |
Voice and piano |
1862 |
|
Kitzler-Studienbuch, 2nd setting: p. 42
|
WAB 237 |
Und stehts dann still in seinem Lauf |
|
Lied |
Choir |
|
|
|
WAB 238 |
Wunsch |
D major |
Lied |
Voice and piano |
1862 |
|
Kitzler-Studienbuch, pp. 47–48
|
WAB 239 |
Galopp |
C major |
Galop |
Piano |
1862 |
|
Kitzler-Studienbuch, p. 29
|
WAB 240 |
Improvisationsskizze Bad Ischl |
C minor |
Sketch |
Organ |
1890 |
♫ |
Based on the Finale of Symphony No. 1, Händel's Hallelujah and the Kaiserhymne
|
WAB 241 |
Konzertskizze |
C minor |
Sketch |
Organ |
1884 |
♫ |
For a performance at Kremsmünster on 21 August 1884
|
WAB 242 |
Five Sonatenentwürf |
F minor C major C major F major D minor |
Sketch |
Piano |
1862 |
|
Kitzler-Studienbuch, pp. 140–156
|
WAB 243 |
Sonatensatz |
G minor |
Sonata |
Piano |
1862 |
♫ |
1st movement of a sonata, Kitzler-Studienbuch, pp. 157–164
|
WAB 244 |
Symphonieentwürf |
D minor |
Sketch |
|
|
|
|
WAB 245 |
Skizze zu einer Fuge |
D minor |
Fugue |
Organ |
|
|
|
Adaptations & transcriptions (not exhaustive)
|
WAB 263 |
Ännchen von Tharau |
C major |
Lied |
Voice and piano |
c. 1850 |
|
Folk song transcribed for Aloisia Bogner
|
WAB 264 |
An dem Zauberschleier |
D major |
Lied |
Voice and piano |
c. 1850 |
|
Folk song transcribed for Aloisia Bogner
|
WAB 265 |
Ecce quomodo moritur iustus |
G minor |
Responsory |
Choir, organ, three trombones |
1878 |
|
Accompaniment by trombones added to a responsory by Franz Joseph Aumann
|
WAB 266 |
Orchestration of Beethoven's Sonate pathétique |
C minor |
Piece |
Orchestra |
1862 |
♫ |
Exercise in orchestration, Kitzler-Studienbuch, pp. 234–250
|
WAB 267 |
Segenlied |
E♭ major |
Lied |
Organ |
|
|
Harmonisation of a blessing song by Norbert Hauner or Michael Haydn
|
WAB 268 |
Tenebrae factae sunt |
G minor |
Responsory |
Choir, organ, three trombones |
1878 |
|
Accompaniment by trombones added to a responsory by Franz Joseph Aumann
|
WAB 321 |
Walzer |
G major |
Lied |
Voice and piano |
c. 1850 |
|
Folk song Juheisa juhei, ihr Tänzer herbei transcribed for Aloisia Bogner
|
Incerta & falsa
|
WAB 330 |
Exaudi |
G major |
|
Choir, trombones |
|
|
Possibly by Franz Joseph Aumann
|
WAB 331 |
Four sketches from Amaranth |
C major C major C major B♭ major |
Lied |
Voice |
|
|
Possibly by Ernst Friedrich Eduard Richter. Lyrics from the poem Amaranth by Oskar von Redwitz
|
WAB 332 |
Symphonisches Präludium |
C minor |
Prelude |
Orchestra |
1875–1876 |
|
Doubtful authorship, possibly an exercise in orchestration for Rudolf Krzyzanowski[9]
|
WAB 333 |
Pange lingua |
C major |
Hymn |
Choir |
|
|
Not a composition by Bruckner, but by Franz Joseph Aumann
|
WAB 334 |
Präludienbuch |
|
Pieces |
Organ |
|
|
Bruckner's Präludienbuch with 22 organ pieces. Authorship very uncertain
|