Type of stupa erected by the Jains for devotional purposes
Jain stupa
Jain votive plaque with Jain stupa, the "Vasu Śilāpaṭa" ayagapata, 1st century CE, excavated from Kankali Tila, Mathura.[1] The inscription reads: "Adoration to the Arhat Vardhamana. The daughter of the matron (?) courtesan Lonasobhika (Lavanasobhika), the disciple of the ascetics, the junior (?) courtesan Vasu has erected a shrine of the Arhat, a hall of homage (ayagasabha), cistern and a stone slab at the sanctuary of the Nirgrantha Arhats, together with her mother, her daughter, her son and her whole household in honour of the Arhats."[2]
The Jain stupa was a type of stupa erected by the Jains for devotional purposes. A Jain stupa dated to the 1st century BCE-1st century CE was excavated at Mathura in the 19th century, in the Kankali Tila mound.[3]
Jain legends state that the earliest Jain stupa was built in the 8th century BCE, before the time of the JinaParsvanatha.[4]
There is a possibly that the Jains adopted stupa worships from the Buddhists, but that is an unsettled point.[5] However the Jain stupa has a peculiar cylindrical three-tier structure, which is quite reminiscent of the Samavasarana, by which it was apparently ultimately replaced as an object of worship.[6] The name for stupa as used in Jain inscriptions is the standard word "thupe".[6]
Mathura Jain stupas
A Jain stupa dated to the 1st century BCE-1st century CE was excavated at Mathura in the 19th century, in the Kankali Tila mound.[3]
View of the Jain Stupa as excavated at Kankali Tila, c. 1889
Plan of the stupa at Kankali Tila
Cross-section of the stupa at Kankali Tila
Numerous associated religious works of art were also discovered during the excavations.[3] Many of these are votive tablets, called ayagapatas.[7] They are numerous, and some of the earliest ones have been dated to circa 50-20 BCE.[8]
According to Jain legends, five Jain stupas were built in Mathura.[6]
The Jain devotional reliefs called Ayagapatas, particularly that dedicated by Vasu, shows a probable design of the Jain stupa.[6] The stupa drum is set on a high platform, and accessed by a flight of stairs and an ornate torana gate, quite similar in style to the toranas of Sanchi.[6] Niches with images can be seen in front of the platform.[6] The drum of the stupa is elongated and cylindrical, and formed of three superposed tiers separated by railings and decorated bands.[6] The stupa starts to round off only above these three tiers.[6] The platform may have been squared, with Persepolitan-type columns in each corner, similar to those seen in the Vasu Ayagapata.[6] On the Vasu ayagapata, one of the Persepolitan pillars is surmounted by a Dharmachakra wheel, and the other pillar was probably surmounted by an animal, as seen in other similar ayagapatas.[6]
The Sivayasa ayagapata shows clearly two triratna symbols on top of the torana, as well as a central flame palmette design.[6]
Here again the Jain stupa in the middle of the relief is of cylindrical type with a three-tier design, separated by three horizontal railings.[6]
These reliefs are among the first known examples of Jain sculpture.[16] The centaurs appearing in the Mathura reliefs, as in other places such as Bodh Gaya, are generally considered as Western borrowings.[17]Robert Graves (relying on the work of Georges Dumézil,[18] who argued for tracing the centaurs back to the IndianGandharva), speculated that the centaurs were a dimly remembered, pre-Hellenic fraternal earth cult who had the horse as a totem.[19]
^"According to one legend, the earliest Jain stupa (a funerary or reliquary mound, usually grandly ornamented and enclosed by a railing with an elaborate gateway) was built before the time of the Jina Parsvanatha in the eighth century B.C." in Arts of Asia. 1994.
^"The Ayagapata which had been set up by Simhanddika, anterior to the reign of Kanishka, and which is assignable to a period not later than 1 A.D., is worth notice because of the typical pillars in the Persian-Achaemenian style" in Bulletin of the Baroda Museum and Picture Gallery. Baroda Museum. 1949. p. 18.
^"The hippocamps, the tritons, centaurs and other weird creatures, which certainly were borrowed from Western Art, occur at Gaya and other places, in the sculptures of the early period. Forms more or less similar occur at Mathura and Arnaravati." Banerjee, Gauranga Nath (1920). Hellenism in ancient India. Calcutta. p. 64.
^Dumézil, Le Problème des Centaures (Paris 1929) and Mitra-Varuna: An essay on two Indo-European representations of sovereignty (1948. tr. 1988).