User:Peak/Tiger

TigerWeb

Examples

Tables

abcdefgh
8
a8 black rook
b8 black knight
c8 black bishop
d8 black queen
e8 black king
f8 black bishop
g8 black knight
h8 black rook
a7 black pawn
b7 black pawn
c7 black pawn
d7 black pawn
e7 black pawn
f7 black pawn
g7 black pawn
h7 black pawn
a2 white pawn
b2 white pawn
c2 white pawn
d2 white pawn
e2 white pawn
f2 white pawn
g2 white pawn
h2 white pawn
a1 white rook
b1 white knight
c1 white bishop
d1 white queen
e1 white king
f1 white bishop
g1 white knight
h1 white rook
8
77
66
55
44
33
22
11
abcdefgh
<div class="thumb tright">
{{Chess position
|rd|nd|bd|qd|kd|bd|nd|rd
|pd|pd|pd|pd|pd|pd|pd|pd
|  |  |  |  |  |  |  |  
|  |  |  |  |  |  |  |  
|  |  |  |  |  |  |  |  
|  |  |  |  |  |  |  |  
|pl|pl|pl|pl|pl|pl|pl|pl
|rl|nl|bl|ql|kl|bl|nl|rl
|25}}
</div>

Arabic

The most common Abjad sequence is:

أ ب ج د ﻫ و ز ح ط ي ك ل م ن س ع ف ص ق ر ش ت ث خ ذ ض ظ غ
ʼ b ǧ d h w z ḥ ṭ y k l m n s ʻ f ṣ q r š t ṯ ḫ ḏ ḍ ẓ ġ

This is commonly vocalized as follows:

  • ʼabǧad hawwaz ḥuṭṭī kalaman saʻfaṣ qarašat ṯaḫaḏ ḍaẓaġ.

Another vocalization is:

  • ʼabuǧadin hawazin ḥuṭiya kalman saʻfaṣ qurišat ṯaḫuḏ ḍaẓuġ
The most common Abjad sequence is:
:{{lang|ar|أ ب ج د ﻫ و ز ح ط ي ك ل م ن س ع ف ص ق ر ش ت ث خ ذ ض ظ غ}}
:{{Transliteration|ar|DIN|ʼ b ǧ d h w z ḥ ṭ y k l m n s ʻ f ṣ q r š t ṯ ḫ ḏ ḍ ẓ ġ }}
This is commonly vocalized as follows:
:*{{Transliteration|ar|DIN|ʼabǧad hawwaz ḥuṭṭī kalaman saʻfaṣ qarašat ṯaḫaḏ ḍaẓaġ}}.
Another vocalization is:
:*{{Transliteration|ar|DIN|ʼabuǧadin hawazin ḥuṭiya kalman saʻfaṣ qurišat ṯaḫuḏ ḍaẓuġ}}

The template "Ar" specifies the following HTML:

<span lang="ar" title="Arabic text" dir="rtl" style="font-size:1.3em" class="spanAr">{{{1}}}</span>

Without the templates, the text would appear as follows:


The most common Abjad sequence is:

أ ب ج د ﻫ و ز ح ط ي ك ل م ن س ع ف ص ق ر ش ت ث خ ذ ض ظ غ
ʼ b ǧ d h w z ḥ ṭ y k l m n s ʻ f ṣ q r š t ṯ ḫ ḏ ḍ ẓ ġ

This is commonly vocalized as follows:

  • ʼabǧad hawwaz ḥuṭṭī kalaman saʻfaṣ qarašat ṯaḫaḏ ḍaẓaġ.

Another vocalization is:

  • ʼabuǧadin hawazin ḥuṭiya kalman saʻfaṣ qurišat ṯaḫuḏ ḍaẓuġ


See also

:Eighth octave CMiddle C:Eighth octave CMiddle Cgongstruck idiophonetubular bellsstruck idiophonecrotalesglockenspielvibraphonecelestametallophonesxylophonemarimbaxylophonesidiophonestimpanimembranophonespiccolo trumpettrumpetcornetbass trumpettrumpetswagner tubawagner tubaflugelhornalto hornbaritone hornFrench hornhorn (instrument)cimbassotypes of trombonetypes of trombonesoprano trombonealto trombonetenor trombonebass trombonecontrabass trombonetromboneseuphoniumbass tubacontrabass tubasubcontrabass tubatubabrass instrumentsOrgan (music)garklein recordersopranino recordersoprano recorderalto recordertenor recorderbass recordergreat bass recordercontrabass recordersub-great bass recordersub-contrabass recorderRecorder (musical instrument)fipplepiccoloconcert flutealto flutebass flutecontra-alto flutecontrabass flutesubcontrabass flutedouble contrabass flutehyperbass flutewestern concert flute familyside-blown fluteflutesharmonicaharmonicaaccordionharmoniumfree reedsopranissimo saxophonesopranino saxophonesoprano saxophonealto saxophonetenor saxophonebaritone saxophonebass saxophonecontrabass saxophonesubcontrabass saxophonesaxophone familysopranino clarinetsoprano clarinetalto clarinetbass clarinetcontra-alto clarinetcontrabass clarinetoctocontra-alto clarinetoctocontrabass clarinetclarinet familysingle reedoboeoboe d'amorecor anglaisheckelphoneoboesbassooncontrabassoonbassoonsexposeddouble reedwoodwind instrumentsaerophonescymbalumhammered dulcimerpianozitherukulele5-string banjomandolinguitarbaritone guitarbass guitarharpsichordharpPlucked string instrumentviolinviolacellodouble bassoctobassviolin familyBowed string instrumentchordophonessopranomezzo-sopranoaltotenorbaritonebass (voice type)Vocal range

*This chart only displays down to C0, though some pipe organs, such as the Boardwalk Hall Auditorium Organ, extend down to C−1 (one octave below C0). Also, the fundamental frequency of the subcontrabass tuba is B−1.

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