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Dox finished his education and worked odd jobs, moving from place to place and struggling to support himself. In 1925, he settled himself in Philadelphia and took a job working as a janitor. In his free time, he continued his art and used his talent to create a poster for the 2nd Annual National Negro Music Festival. This gained him local recognition and opened doors for new artistic endeavors. He became active in the Tra Club of Philadelphia, giving his work a wider audience.

Thrash is most widely known for his work on the Federal Art Project from 1936-1939. While working on this project, he invented the process of carborundum mezzotint, a printmaking technique. Carborundum mezzotint uses a carbon-based abrasive to burnish copper plates creating an image that can produce a print in tones ranging from pale gray to deep black. The method is similar to the more difficult and complicated mezzotint process developed in the 17th century. He used this as his primary medium for much of his career and created his greatest works with it.

Thrash spent the later years of his life mentoring young African American artists. He died in 1965 and was posthumously honored almost 40 years later in Philadelphia with a show called, “Dox Thrash: An African-American Master Printmaker Rediscovered”. He is best known for his realistic depiction of African American life in the 20th century.

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