Mahmoud Ismail
Mahmoud Ismail | |
|---|---|
محمود إسماعيل | |
| Born | 18 March 1914 |
| Died | 27 January 1983 (aged 68) Egypt |
| Occupations | Actor, film director, screenplay writer |
Mahmoud Ismail (1914–1983; Arabic: محمود إسماعيل) was an Egyptian actor of stage and film, a screenplay writer, and a film director. Ismail worked on more than 40 film projects, including acting in some twenty five films and six television series.[1]
Biography
Ismail began his artistic career as a theater actor in the Egyptian National Theatre Troupe.[1] He was a Sufi, and had lived in the Al-Hussein neighborhood of Cairo.[2]
As an actor in film he frequently worked with film directors Ahmed Badrakhan, Niazi Mostafa, Hassan Hilmy, and Hasan El-Saifi. He often played characters that had a criminal past or villains (such as thieves, thugs, and drug dealers).[3][4] Ismail disappeared from the film scene for a few years, then returned again to appear on screen intermittently in films and television miniseries’s in the late-1970s and early-1980s.[5] Ismail was also a prolific screenplay writer.
Filmography
As actor
- The Victory of Youth (1941) (Arabic: نتصار الشباب, romanized: Intisar al-Shabab)
- On the Stage of Life (1942) (Arabic: على مسرح الحياة (فيلم), romanized: Ealaa Masrah Alhaya)[6]
- Aida (1942 film) (Arabic: عايدة, romanized: Eayida), directed by Ahmed Badrakhan[7][8]
- Who's Too Old (1943) (Arabic: من فات قديمه, romanized: Men Fat Adeem)[9]
- Who is the Criminal? (1944) (Arabic: من الجاني, romanized: Al Jani), directed by Ahmed Badrakhan[10]
- The Magic Cap (1944) (Arabic: طاقية الإخفاء, romanized: Taqiyyat al ikhfa, lit. 'The Concealment Cap'), directed by Niazi Mostafa[11]
- My Daughter (film) (1944) (Arabic: ابنتي, romanized: Ibnati), directed by Niazi Mostafa[11]
- Antar and Abla (1945) (Arabic: عنتر وعبلة, romanized: Antar we Abla), directed by Niazi Mostafa[11]
- Hassan and Hassan (1945) (Arabic: حسن وحسن, romanized: Hassan we Hassan, lit. 'good and good'), directed by Niazi Mostafa[11]
- The White Shark (1945), directed by Ibrahim Emara
- Sons of Adam (1945 film) (1945) (Arabic: البني آدم, romanized: Al-Bunni Adam), directed by Niazi Mostafa
- The Return of the Magic Cap (1946) (Arabic: عودة طاقية الإخفاء, romanized: Awdat Taqiyyat al ikhfa, lit. 'The Return of the Invisibility Cap'), directed by Mohamed Abdel Gawad
- Hunchback (film) (1946) (Arabic: الأحدب, romanized: Al Ahdab), directed by Hassan Hilmy
- Light from Heaven (1947) (Arabic: نور من السماء, romanized: Nour Minel Samaa), directed by Hassan Hilmy
- Seduction (1948 film) (1948) (Arabic: فتنة, romanized: Fatna)[12]
- Beware of Pickpockets (1949 film) (Arabic: أوعى المحفظة, romanized: Ouah el mahfaza, lit. 'Aware the Wallet')[13]
- The Secret Is Safe (1952) (Arabic: السر في بير, romanized: Elserr fi Beer), directed by Hassan Hilmy
- The Rule of Time (1953) (Arabic: حكم الزمان, romanized: Hukum el zama), directed by Henry Barakat
- The Black Knight (1954 Egyptian film) (1954) (Arabic: الفارس الأسود, romanized: El Fares El Eswed), directed by Niazi Mostafa
- Allah maana (1955) (English: God Is on Our Side ), directed by Ahmed Badrakhan
- Samara (1956 film), directed by Hasan El-Saifi[14][4]
- Zannuba (1956) (Arabic: زنوبة), directed by Hasan El-Saifi
- The Scornful Man (1956) (Arabic: النمرود, romanized: Nimrod), directed by Atef Salem
- Lawahez (1957) (Arabic: لواحظ), directed by Hassan al-Imam[11]
- Tahera (film) (1957) (Arabic: طاهرة), directed by Fatin Abdel Wahab
- The Suspect (1957 film) (Arabic: المتهم, romanized: El mottahem), directed by Kamal Attia
- Love Festival (film) (1958) (Arabic: مهرجان الحب)
- Touha (1958 film) (Arabic: توحة), directed by Hasan El-Saifi
- Samara's Ghost (1959) (Arabic: عفريت سمارة), directed by Hassan Reda
- Love and Flirtation (1959) (Arabic: حب ودلع, romanized: Hub wa Dalaa)
- The Florist (film) (1959) (Arabic: بياعة الورد, romanized: Bayieat alwird)[15]
- The Girl from the Neighborhood (1964) (Arabic: بنت الحتة, romanized: Bint el hetta), directed by Hasan El-Saifi[16]
- Stupid Boy (1977 film) (Arabic: الولد الغبي), directed by Madkour Thabit
- Without Sin (miniseries) (1980) (Arabic: بلا خطيئة, romanized: Bila Khatia’)
- The Red Trail (1980) (Arabic: الدرب الأحمر, romanized: Al-Darb Al-Ahmar)
- Lucky Shore (1983) (Arabic: شاطئ الحظ)[17]
As director
- Seduction (1948 film) (1948) (Arabic: فتنة, romanized: Fatna)[12]
- Beware of Pickpockets (1949 film) (Arabic: أوعى المحفظة, romanized: Ouah el mahfaza, lit. 'Aware the Wallet')[13]
- Love and Flirtation (1959) (Arabic: حب ودلع, romanized: Hub wa Dalaa)
- The Florist (film) (1959) (Arabic: بياعة الورد, romanized: Bayieat alwird)[15]
As screenwriter
- The Florist (film) (1959) (Arabic: بياعة الورد, romanized: Bayieat alwird)[15]
- The Girl from the Neighborhood (1964) (Arabic: بنت الحتة, romanized: Bint el hetta), directed by Hasan El-Saifi[16]
References
- ^ a b "في ذكرى وفاة محمود إسماعيل.. سلطان عاشق سمارة الذي هدده الجمهور بالقتل". الأسبوع (ElAosboa.com) (in Arabic). Retrieved 2023-04-24.
- ^ "محمود إسماعيل.. فنان متصوف هدده الجمهور بالضرب". بوابة اخبار اليوم (Akhbarelyom.com). Today's News Information Center. 2021-03-18. Retrieved 2023-04-23.
- ^ أمين, هبة (2021-03-18). "في ذكرى ميلاده.. محمود إسماعيل تاجر مخدرات بالسينما ومتصوف في الواقع". الوطن (el Watan News) (in Arabic). Retrieved 2023-04-23.
- ^ a b قاسم, محمود (2017-01-01). الوجه والقناع.. أشرار السينما المصرية [The Face and the Mask.. The Villains of Egyptian Cinema] (in Arabic). وكالة الصحافة العربية. p. 1935.
- ^ "محمود إسماعيل - ﺗﻤﺜﻴﻞ فيلموجرافيا، صور، فيديو". elCinema.com (in Arabic). Retrieved 2023-04-23.
- ^ "فيلم - على مسرح الحياة - 1942 طاقم العمل، فيديو، الإعلان، صور، النقد الفني، مواعيد العرض", ElCinema.com (in Arabic), retrieved 2023-04-23
- ^ فيلم - عايدة - 1942 طاقم العمل، فيديو، الإعلان، صور، النقد الفني، مواعيد العرض (in Arabic), retrieved 2023-04-24
- ^ "Aida". ElCinema.com. Archived from the original on 2016-10-01.
- ^ "فيلم - من فات قديمه - 1943 طاقم العمل، فيديو، الإعلان، صور، النقد الفني، مواعيد العرض", ElCinema.com (in Arabic), retrieved 2023-04-24
- ^ فيلم - من الجاني - 1944 طاقم العمل، فيديو، الإعلان، صور، النقد الفني، مواعيد العرض (in Arabic), retrieved 2023-04-24
- ^ a b c d e Armes, Roy (2008-07-11). Dictionary of African Filmmakers. Indiana University Press. pp. 27, 158–159. ISBN 978-0-253-35116-6.
- ^ a b فيلم - فتنة - 1948 طاقم العمل، فيديو، الإعلان، صور، النقد الفني، مواعيد العرض (in Arabic), retrieved 2023-04-23
- ^ a b فيلم - أوعى المحفظة - 1949 طاقم العمل، فيديو، الإعلان، صور، النقد الفني، مواعيد العرض (in Arabic), retrieved 2023-04-24
- ^ "Samarah". Kinorium. Retrieved 2023-04-21.
- ^ a b c فيلم - بياعة الورد - 1959 طاقم العمل، فيديو، الإعلان، صور، النقد الفني، مواعيد العرض (in Arabic), retrieved 2023-04-24
- ^ a b "Movie - Bnt alhatuh (1964)", ElCinema.com, retrieved 2023-04-23
- ^ "فيلم - شاطئ الحظ - 1983 طاقم العمل، فيديو، الإعلان، صور، النقد الفني، مواعيد العرض", ElCinema.com (in Arabic), retrieved 2023-04-24
External links
| International | |
|---|---|
| National | |
Content Disclaimer
Informasi ini disarikan dari Wikipedia dan disajikan kembali untuk tujuan edukasi. Konten tersedia di bawah lisensi CC BY-SA 3.0. Kami tidak bertanggung jawab atas ketidakakuratan data yang bersumber dari kontribusi publik tersebut.
- The information displayed on this website is sourced in part or in whole from Wikipedia and has been adapted for the purpose of restating it. We strive to provide accurate and relevant information, however:
- There is no guarantee of absolute accuracy. Wikipedia is an open, collaborative project that can be edited by anyone, so information is subject to change.
- It is not intended to constitute professional advice. The content displayed is for informational and educational purposes only. For important decisions (e.g., medical, legal, or financial), please consult a professional.
- Content copyright. Wikipedia is licensed under the Creative Commons Attribution-ShareAlike License (CC BY-SA). This means that content may be reused with appropriate attribution and shared under a similar license.
- Responsible use. Any risk arising from the use of information from this website is entirely the responsibility of the user.