Edward Stott

Edward Stott
Edward Stott
	Edward Stott c. 1890
Lahir	William Edward Stott; 25 April 1855; Rochdale, Lancashire, Inggris
Meninggal	19 Maret 1918 (umur 62); Amberley, West Sussex, Inggris
Pendidikan	Manchester Academy of Fine Art, École Nationale Supérieure des Beaux-Arts
Dikenal atas	Lukisan cat minyak, Cat Air
Gerakan politik	Naturalisme, Sekolah Barbizon, Klub Seni Bahasa Inggris Baru
Penghargaan	Associate Royal Academy

Edward Stott ARA (24 April 1855 – 19 Maret 1918) adalah seorang pelukis Inggris dari akhir periode Victoria hingga awal abad kedua puluh. Dia berlatih di Paris di bawah pengajaran Carolus Duran dan sangat dipengaruhi oleh Naturalisme pedesaan dari Bastien-Lepage dan karya impresionisme yang digabungkan pada tradisi lanskap Inggris John Linnell serta Samuel Palmer. Pada pertengahan 1880-an ia menetap di pedesaan Sussex di mana ia adalah tokoh sentral dalam koloni artistik. Keahliannya adalah melukis pemandangan kehidupan rumah tangga dan pedesaan yang bekerja dan pemandangan sekitarnya yang sering digambarkan dalam cahaya yang memudar. Karya Stott mencapai kesuksesan kritis dan komersial di rumah dan di Eropa pada masa hidupnya tetapi gaya lukisannya menjadi ketinggalan zaman setelah Perang Dunia I dan banyak karyanya sekarang diabaikan dan tidak dipertimbangkan.^[1]^{[note 1]}^{[note 2]}

Galeri

Self Portrait
The labourer's cottage – suppertime
Changing Pastures
The Watering Place
The Widow's Acre (1900)
Untitled pastel by Stott
Edward Stott Memorial
Memorial headstone of Stott, Amberley, West Sussex
Stott's Cottage by R.H.Penton (Postcard 1930)

Catatan

^ Stott used his middle name for commercial purposes to avoid confusion with an Oldham artist called William Stott (1857–1900). As both were from mill-owning families and contemporaries who studied in Paris the confusion was perhaps inevitable. It may explain why each Stott chose different French artistic colonies within which to work.
^ There is yet another William Stott working in this period. William Robertson Smith Stott (1870–1939) was a painter and illustrator of portraits, figures and landscape in oil who lived in Aberdeen and later moved to Chelsea. He exhibited twenty-two works at the Royal Academy between 1905–1934.

Valerie Webb (2018), Edward Stott (1855 – 1918): A Master of Colour and Atmosphere, Samsom & Company, Bristol, England. ISBN 9781911408222

Referensi

^ Szabolcsi, (1970) The Decline of Romanticism: End of the Century, Turn of the Century-Introductory Sketch of an Essay, Studia Musicologica Academiae Scientiarum Hungaricae.

Daftar Pusaka

Jeremy Maas,(1988) Victorian Painters, Random House Value Pub; Reissue edition ISBN 051767131X
Denney, Colleen (2000). At the Temple of Art: the Grosvenor Gallery, 1877–1890. Issue 1165. Madison, NJ: Fairleigh Dickinson University Press. ISBN 0838638503
Margaretta Frederick Watson, (1997) Collecting The Pre-Raphaelites: The Anglo-American Enchantment, Ashgate Publishing Ltd., Aldershot, Hants,
Joshua C. Taylor (1989). Nineteenth-Century Theories of Art. University of California Press. ISBN 0520048881.
Malcolm Warner (1996), The Victorians: British Painting 1837–1901, National Gallery of Art, Washington, D.C. ISBN 0810963426
Brian Stewart & Mervyn Cutten, (1997), The Dictionary of Portrait Painters in Britain up to 1920, Antique Collectors' Club. ISBN 185149173 2

Pranala luar

https://www.google.com/search?sxsrf=ALeKk01htAbaf9bzf97ZToH__DahYwEJdA:1594980210338&source=univ&tbm=isch&q=edward+stott&sa=X&ved=2ahUKEwippfGmhNTqAhVkqHEKHQhJCA0QsAR6BAgKEAE&biw=1600&bih=757

[2] Stott used his middle name for commercial purposes to avoid confusion with an Oldham artist called William Stott (1857–1900). As both were from mill-owning families and contemporaries who studied in Paris the confusion was perhaps inevitable. It may explain why each Stott chose different French artistic colonies within which to work.

[3] There is yet another William Stott working in this period. William Robertson Smith Stott (1870–1939) was a painter and illustrator of portraits, figures and landscape in oil who lived in Aberdeen and later moved to Chelsea. He exhibited twenty-two works at the Royal Academy between 1905–1934.

[1] Szabolcsi, (1970) The Decline of Romanticism: End of the Century, Turn of the Century-Introductory Sketch of an Essay, Studia Musicologica Academiae Scientiarum Hungaricae.

[1]

[note 1]

[note 2]