Zenyatta Mondatta (stylised as Zenyattà Mondatta on the album cover artwork) is the third studio album by British rock band the Police, released on 3 October 1980 by A&M Records. It was co-produced by the band and Nigel Gray.
Zenyatta Mondatta was written during the Police's second tour and recorded in four weeks (minus two days for concerts in Ireland and at the Milton Keynes festival in the United Kingdom). The band members have often expressed disappointment over the album, going so far as to re-record two songs during a brief, unsuccessful reunion in 1986. Drummer Stewart Copeland said about the time pressures: "We had bitten off more than we could chew. ... we finished the album at 4 a.m. on the day we were starting our next world tour. We went to bed for a few hours and then traveled down to Belgium for the first gig. It was cutting it very fine."[4]
The band had wanted to record the album at Surrey Sound, the recording site of their first two albums, but could not record at any British studio for tax reasons.[4] They were, however, able to retain Nigel Gray as their co-producer, bringing him with them to Wisseloord Studios in the Netherlands. Feeling that he had played a significant part in the Police's first two albums, Gray negotiated for a £25,000 (£109,000 in 2023[5]) fee, which brought the album's total budget to £35,000 (more than twice the combined budgets of their first two albums, but still exceptionally cheap for a band who at that point had become established stars).[6]
As mentioned by Copeland, the Police embarked on a tour of the world the day of the album's completion, beginning in Belgium and finishing in Australia.
Composition
The album is the last of the Police's early era, influenced by reggae and punk and featuring few musical elements on top of the core guitar, bass, and drums.
The record has two instrumentals, "The Other Way of Stopping" (named from a line in Bob Newhart's "The Driving Instructor" routine) and "Behind My Camel". "Behind My Camel" was guitarist Andy Summers' first entirely self-penned composition. As bassist and vocalist Sting refused to play on it, Summers recorded the bass line himself, overdubbing the guitar parts. According to Sting, "I hated that song so much that, one day when I was in the studio, I found the tape lying on the table. So I took it around the back of the studio and actually buried it in the garden."[7] Nigel Gray believed that the title was an in-joke by Summers: "He didn't tell me this himself but I'm 98% sure the reason is this: what would you find behind a camel? A monumental pile of shit."[8]
"Bombs Away" was written and demoed using a Siouxsie and the Banshees tape. Copeland said that "when he first set up his home studio he got hold of a load of second hand tape which included some stuff by Siouxsie and the Banshees. 'Bombs Away' was written on a Siouxsie and the Banshees backing track. I changed the speed and did things to the EQ to change the drum pattern. So with the desk I can get my song playing, then press a switch and there's Siouxsie singing away."[9]
Zenyatta Mondatta also saw the band's lyrics turning towards political events, with Sting's "Driven to Tears" commenting on poverty and Copeland's "Bombs Away" referring to the Soviet invasion of Afghanistan.[8][10] These themes became more prevalent on the Police's next album, Ghost in the Machine.
Title
Stewart Copeland said that the group arrived at the album's title after deciding it should roll off the tongue. Zenyatta and Mondatta are invented words, hinting at Zen, at Jomo Kenyatta, at the French for 'the world' (le monde), and at reggatta, from the title of the previous Police album, Reggatta de Blanc. As Copeland explained:
It means everything. It's the same explanation that applies to the last two. It doesn't have a specific meaning like "Police Brutality" or "Police Arrest", or anything predictable like that. Being vague it says a lot more. You can interpret it in a lot of different ways. It's not an attempt to be mysterious, just syllables that sound good together, like the sound of a melody that has no words at all has a meaning. Miles (Stewart Copeland's brother and group manager) came up with "Trimondo Blondomina". Very subtle. Geddit? Like three blondes and the world. Then somebody thought of "Caprido Von Renislam". That rolls off the tongue. It was the address of the studio (Catharina van Renneslaan in Hilversum, The Netherlands).[9]
Jerry Moss, co-founder of A&M Records, named the champion racehorse Zenyatta (born 2004) after the album.[11]Blizzard Entertainment also named a character Zenyatta (and his brother, non-playable character – Mondatta) in the video game Overwatch. Additionally, in the English translation of the manga Stardust Crusaders published by VIZ Media, the characters Oingo and Boingo are renamed Zenyatta and Mondatta due to copyright laws.[12]
Release
Zenyatta Mondatta debuted at number one on the UK Albums Chart and stayed atop the chart for four weeks.[13] The album also charted at number one in Australia.[14] In the United States, it spent almost three years on the Billboard 200 chart and peaked at number five.[15] The album produced two singles, "Don't Stand So Close to Me" and "De Do Do Do, De Da Da Da". On the UK Singles Chart, the former became the band's third number one, while the latter reached number five.[13] The two singles also became the band's first top ten hits on the US Billboard Hot 100, with both peaking at number ten on the chart.[16][17]
A&M Records first remastered the album for release in compact disc format in the US in 1990.[18] Frank DeLuna and Marv Bornstein mastered the original 1980 vinyl LP, but it is unclear if they also remastered the CD.[18]
In a 1980 review for Rolling Stone, David Fricke praised Zenyatta Mondatta as "near-perfect pop by a band that bends all the rules and sometimes makes musical mountains out of molehill-size ideas", complimenting the band's "elastic" interplay.[29] Phil Sutcliffe of Sounds wrote that he initially viewed the album as inferior to the band's earlier material, but came to recognise its strength, despite still finding it somewhat unadventurous: "By word and note it's as articulate and literate as you might hope. It avoids a whole catalogue of megastar pitfalls. Zenyatta is not pretentious, not bombastic, not lazy."[26] In Smash Hits, David Hepworth opined that Sting had particularly improved as a vocalist and songwriter, describing his compositions as "tougher, more concerned, but no less melodic."[25]
Retrospectively, AllMusic critic Greg Prato cited Zenyatta Mondatta as "arguably the best Police album" and "one of the finest rock albums of all time."[19] In 2004's The New Rolling Stone Album Guide, J. D. Considine highlighted the more pronounced groove of the music: "The emphasis on rhythmic intensity made the songs catchier (as 'Voices Inside My Head' shows, the band certainly knew how to work a vamp), and the rhythmic dynamics add a singular punch to the material."[23]
Track listing
All tracks are written by Sting, except where noted
^ abCampion, Chris (2009). Walking on the Moon: The Untold Story of the Police and the Rise of New Wave Rock. Wiley. pp. 139–140, 144. ISBN978-0-470-28240-3.
^ abcdKent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. pp. 235–236, 432–433. ISBN0-646-11917-6.
^Whitburn, Joel (1985). The Billboard Book of Top Pop Albums 1955–1985. Record Research Inc. pp. 290, 493. ISBN0898200547.
^"Classifiche". Musica e dischi (in Italian). Retrieved 4 June 2022. Select "Album" in the "Tipo" field, type "Zenyatta Mondatta" in the "Titolo" field and press "cerca".
^Caroli, Daniele (14 February 1981). "Police find success by breaking all the rules"(PDF). Music Week. Vol. 93, no. 23. p. 4 Awards Supplement (Awards Supplement page starts after pages 15–16). Retrieved 8 January 2022 – via World Radio History. Last year Zenyatta Mondatta went to Number One, and sold a million copies in the UK...