William Angus McIlvanney (25 November 1936 – 5 December 2015) was a Scottish novelist, short story writer, and poet.[1] He was known as Gus by friends and acquaintances.[2] McIlvanney was a champion of gritty yet poetic literature; his works Laidlaw, The Papers of Tony Veitch, and Walking Wounded are all known for their portrayal of Glasgow in the 1970s. He is regarded as "the father of Tartan Noir" and as Scotland's Camus.[3]
Biography
McIlvanney was born in Kilmarnock on 25 November 1936,[4] the youngest of four children of a former miner, and attended school at Kilmarnock Academy.[5] He went on to study English at the University of Glasgow and graduated with an MA in 1960.[1] McIlvanney then worked as an English teacher until 1975, when he left the position of assistant headmaster at Greenwood Academy to pursue his writing career.[1] The writer's elder brother was the sports journalist Hugh McIlvanney.[1] His son, Liam McIlvanney, is also an author of the crime genre.[6]
In addition to his literary career, McIlvanney wrote regularly for newspapers, and was a writer and narrator of the BBC Scotland football documentary Only a Game? in 1986.[7][8]
McIlvanney held onto his strong socialist views throughout his life. In common with many from working-class backgrounds in Scotland, he was strongly opposed to Thatcherism. Later, he became disappointed by the shift of Labourtowards the centre during the New Labour era under Prime Ministers Tony Blair and Gordon Brown and by 2014, he had ultimately come to hesitantly feel that Scottish independence might be the best political solution.[9]
William McIlvanney died on 5 December 2015 at the age of 79, after a short illness.[10] Following his death, a number of public figures, including SNP MSP Nicola Sturgeon, authors Ian Rankin and Irvine Welsh, paid tribute noting both his inspirational writing and his likeable and gentlemanly personality.[11][9]The Telegraph obituary noted: "Many authors are admired. Many are respected. Few are loved as he was, for what they are as well as for what they have written."[9]
Writing
His first book, Remedy is None, was published in 1966[12] and won the Geoffrey Faber Memorial Prize in 1967.[13]Docherty (1975), a portrait of a miner whose courage and endurance is tested during the depression, won the Whitbread Novel Award.[14]
The Big Man (1985) is the story of Dan Scoular, an unemployed man who turns to bare-knuckle fighting to make a living. Both novels feature typical McIlvanney characters – tough, often violent, men locked in a struggle with their own nature and background.[15] The novel was adapted into a film in 1990 directed by David Leland, starring Liam Neeson, and featuring Billy Connolly.[16]
McIlvanney was also a poet, and wrote The Longships in Harbour: Poems (1970), In Through the Head (1988) and Surviving the Shipwreck (1991), which also contains pieces of journalism, including an essay about T. S. Eliot.[19] McIlvanney wrote a screenplay based on his short story "Dreaming" (published in Walking Wounded in 1989) which was filmed by BBC Scotland in 1990 and won a BAFTA.[20]
From April 2013, McIlvanney's writing was regularly published on his own website, which features personal, reflective and topical writing, as well as examples of his journalism.[21]
Gifford, Douglas (1976), review of Docherty, in Burnett, Ray (ed.), Calgagus No. 3, pp. 58 & 59, ISSN0307-2029
Aitchison, James (1983), review of The Papers of Tony Veitch, in Lindsay, Maurice (ed.), The Scottish Review: Arts and Environment 31, August 1983, pp. 60 – 62, ISSN0140-0894
^Morton, Brian (27 September 1990). "Glasgow no mean Hamlet". The Times.
^ abTaylor, D. J. (28 January 1989). "Fist-fights and metaphors from Kilmarnock: D J Taylor on William McIlvaney, a Scottish storyteller launching guerrilla attacks from the front line". The Independent.
^Williams, John (3 September 1991). "Jack of all genres, master of one – William McIlvanney's new detective novel continues his seamless document of Scotland". The Guardian.
^Bailey, Hilary (5 September 1985). "A matter of manner/ Review of new fiction". The Guardian.
^Brown, Geoff (21 August 1990). "Youth hogs the old spotlight". The Times.
^ abCochrane, Lynn (28 November 1996). "The Kiln is named book of the year". The Scotsman.
[1] McLuckie, Craig. "Researching McIlvanney. A Critical and Bibliographic Introduction", Scottish Studies International 28 (Scottish Studies Centre of the Johannes Gutenberg-Universität Mainz in Germersheim), 1999.
[2] McLuckie, Craig. "Postcolonial Resistance: Class, Gender and Race in McIlvanney's The Big Man," Revista Canaria de Estudios Ingleses (RCEI) 2002; 45: 151–67.
[3] McLuckie, Craig. "William McIlvanney and the Provocative Witness: Resistance in the 'Laidlaw' Trilogy," Revista Canaria de Estudios Ingleses (RCEI) 2000 Nov; 41: 87-101.
