Vera Molnár (néeGács; 5 January 1924 – 7 December 2023) was a Hungarian media artist who lived and worked in Paris, France. Molnár is widely considered to have been a pioneer of the generative art aspect of computer art.[2] She was one of the first women to use computers in her fine art practice.[3] In the 1960s, she founded two art groups in France concerned with the use of art and technology: the Groupe de Recherche d'Art Visuel and Art et Informatique.
Vera Molnár, born in 1924 in Hungary, was one of the pioneers of computer and algorithmic arts. Trained as a traditional artist, Molnár studied for a diploma in art history and aesthetics at the Budapest College of Fine Arts, where she graduated in 1947, and where she met her future husband, François Molnar (1922–1993)[6] a scientist with whom she collaborated.[7] For a short while in 1947 she lived in Rome, before moving to Paris that same year. In 1948, she married Molnár.[8][9]
Molnár iterated combinatorial images from as early as 1959.[10] In 1968 she began working with computers, where she began to create algorithmic paintings based on simple geometric shapes and geometrical themes.[11]
Molnár created her first non-representational images in 1946. These were abstract geometrical and systematically determined paintings. In 1947 she received an artists' fellowship to study in Rome at the Villa Giulia, and shortly after moved to France, where she resided until she died in Paris.[13]
In the 1960s, Molnár co-founded several artist research groups. The first, in 1960, was the Groupe de Recherche d'Art Visuel, which investigates collaborative approaches to mechanical and kinetic art.[14][15] The second was Art et Informatique, with a focus on art and computing.[16] Molnár learned the early programming languages of Fortran and BASIC, and gained access to a computer at a research laboratory in Paris where she began to make computer graphic drawings on a plotter.[17]
Legacy
Molnár was part of the 2010 exhibition "On Line: Drawing Through the Twentieth Century" at the Museum of Modern Art in New York. The exhibition demonstrated the history of drawing lines.[18][19]
A 2015 retrospective exhibition called "Regarding the Infinite | Drawings 1950–1987" was held at Senior & Shopmaker Gallery in New York City.[20][21]
A 2024 show at Paris's Centre Pompidou exhibited Molnár's algorithmic work alongside her sketches and notes.[2]
Awards
In 2005 Molnár received the DAM Digital Arts Award for her life's work,[22] which includes €20,000 prize, and a catalogued exhibition.[23] Vera Molnár's exhibit, (Un)Ordnung.(Dés)Ordre.[24] at the Museum Haus Konstruktiv shows her early freehand drawings never exhibited before, from the late-1960s to the new installation there, at the museum in Zürich.[25][26]
Molnár was one of 213 artists announced as part of the 59th Venice Biennale in 2022.[5] The theme for the Venice Biennale is to "Challenge the Idea of 'Men as the Center of the Universe'."[30][31]
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