This article is about the short story by Guy de Maupassant. For the 1966 film based upon it, see The Horla (film).
This article is missing information about the story's development, themes, and reception. Please expand the article to include this information. Further details may exist on the talk page.(January 2018)
"The Horla" (French: "Le Horla") is an 1887 short horror story written in the style of a journal by the French writer Guy de Maupassant, after an initial (much shorter) version published in the newspaper Gil Blas, October 26, 1886.
The story has been cited as an inspiration for Lovecraft's "The Call of Cthulhu", which also features an extraterrestrial being who influences minds and who is destined to conquer humanity.[1]
The word horla itself is not French, and is a neologism. Charlotte Mandell, who has translated "The Horla" for publisher Melville House, suggests in an afterword that the word "horla" is a portmanteau of the French words hors ("outside"), and là ("there") and that "le horla" sounds like "the Outsider, the outer, the one Out There", and can be transliterally interpreted as "the 'what's out there'".[2]
Summary
In the form of a journal, the narrator, an upper-class, unmarried, bourgeois man, conveys his troubled thoughts and feelings of anguish. This anguish occurs for four days after he sees a "superb three-mast" Brazilian ship and impulsively waves to it, unconsciously inviting the supernatural being aboard the boat to haunt his home.
All around him, he senses the presence of a being that he calls the "Horla". The torment that the Horla causes is first manifested physically: The narrator complains that he suffers from "an atrocious fever", and that he has trouble sleeping. He wakes up from nightmares with the chilling feeling that someone is watching him and "kneeling on [his] chest".
Throughout the short story, the main character's sanity, or rather, his feelings of alienation, are put into question as the Horla progressively dominates his thoughts. Initially, the narrator himself questions his sanity, exclaiming "Am I going mad?" after having found his glass of water empty, despite not having drunk from it. He later decides that he is not, in fact, going mad, since he is fully "conscious" of his "state" and that he could indeed "analyze it with the most complete lucidity." The presence of the Horla becomes more and more intolerable to the protagonist, as it is "watching ... looking at ... [and] dominating" him.
After reading about a large number of Brazilians who fled their homes, bemoaning the fact that "they are pursued, possessed, governed like human cattle by ... a species of vampire, which feeds on their life while they are asleep ... [and] drinks water", the narrator soon realizes the Horla was aboard the Brazilian three-mast boat that he had previously greeted. He feels so "lost" and "possessed" to the point that he is ready to kill the Horla. The narrator traps the Horla in a room and sets fire to the house, but forgets his servants, who perish in the fire. In the last lines of the story, faced with the persistence of the Horla's presence, he concludes suicide to be his only liberation.
The Bartimaeus Trilogy (2003–2010) features horlas as powerful spirits, who appear as shadowy apparitions that cause madness in humans similar to the titular Horla of the short story.
Relating the advent in France of an invisible being who lives on water and milk, sways the minds of others, and seems to be the vanguard of a horde of extra-terrestrial organisms arrived on earth to subjugate and overwhelm mankind, this tense narrative is perhaps without peer in its particular department.
"The Horla" is the inspiration for Robert Sheckley's short story "The New Horla" (2000) in his collection Uncanny Tales.
Kingsley Amis's first novel Lucky Jim (1954, chapter 6) describes Jim Dixon, a guest lecturer at a university, waking in a guestroom owned by the senior colleague whose good will he is depending on to continue in his job the next academic year, discovering he has fallen asleep drunk, and burned holes through blankets and sheets and on a bedside table. "Had he done this all to himself? Or had a wayfarer, a burglar, camped out in his room? Or was he the victim of some Horla fond of tobacco?"
The CBS Radio Mystery Theater adapted the story for episode 044, originally aired on February 22, 1974.
The Hall of Fantasy radio show aired an episode on September 5, 1952, called "The Shadow People", which makes reference to the Horla.
"The Horla" (1947) is episode 8 of Peter Lorre's radio serial Mystery in the Air.[5]
"The Horla" was adapted for the syndicated radio program The Weird Circle.
Horlas are mentioned or featured in several stories from the Tales of the Shadowmen series, including one story where a Horla is encountered by Solomon Kane.
Tim Lucas has argued that "The Horla" is also an influence on Mario Bava's story "Telephone", featured in his film Black Sabbath (1963).[6]
The concept album D'Après Le Horla De Maupassant by Canadian progressive rock band The Box is based on "The Horla".
The third track of French hip-hop artist Nekfeu's debut album, Feu, is entitled "Le Horla".
Le Horla, a 2023 television film directed by Marion Desseigne-Ravel and starring Bastien Bouillon in the primary role, first broadcast on Arte on 2 June 2023. Freely inspired by Maupassant's story, the film is transposed to the modern day.[7]
References
^S. T. Joshi and David E. Schultz, "Call of Cthulhu, The", An H. P. Lovecraft Encyclopedia, p. 28.
^de Maupassant, Guy (2005). The Horla. The Art of the Novella. Melville House. ISBN978-0-9761407-4-0.