"The Boy in the Bubble" is a song by the American singer-songwriter Paul Simon. It was the third single from his seventh studio album, Graceland (1986), released on Warner Bros. Records. Written by Simon and Forere Motloheloa (an accordionist from Lesotho), its lyrics explore starvation and terrorism, juxtaposed with wit and optimism.
The single—released in February 1987—performed well on charts worldwide. In the United States, it was mainly successful on the Album Rock Tracks chart, where it peaked at No. 15. Outside the U.S., "The Boy in the Bubble" was a top 20 hit in the Netherlands, and top 30 in the United Kingdom and Belgium.
Background
The song retains the only lyric Simon managed to compose on his South African trip: "The way the camera follows us in slo-mo, the way we look to us all." The imagery in the video, directed by Jim Blashfield,[1] was inspired by film clips of the John F. Kennedyassassination, as well as Ronald Reagan's attempted assassination.[2]Adrian Belew was asked to play guitar synthesizer on the song and recalled that Simon only had a few lyrics complete by the time he first met with Belew.[3]
The song's title was inspired by the medical cases of David Vetter and Ted DeVita.[4][5] Similar to "Graceland," "The Boy in the Bubble" took between three and four months to complete.[2]
Critical reception
Cash Box said it was "another brilliant cross-cultural gem. African rhythms, zydeco spice and Simon's intelligent, penetrating lyrics are near perfection."[6] In its review of the 25h anniversary edition of Graceland, Pitchfork wrote that the song was "a thriller that ties together threads of technological progress, medicine, terrorism, surveillance, pop music, inequality, and superstition with little more than a series of sentence fragments, all tossed off in the same deadpan delivery."[7]
"The Boy in the Bubble" performed on singles charts in several territories worldwide. In the U.S., the song reached a peak of No. 86 on the Billboard Hot 100 on March 21, 1987; it spent four weeks on the chart as a whole.[8] It performed better on the magazine's Album Rock Tracks chart, where it placed at No. 15 on March 28, 1987, where it spent nine weeks total.[9]