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This article was automatically assessed because at least one article was rated and this bot brought all the other ratings up to at least that level. BetacommandBot16:32, 27 August 2007 (UTC)[reply]
How did he get started?
Reading this article leaves one with just as many questions as when one started. You can't go directly from studying photography at a university to suddenly working with a large team and creating cinematic staged works of art. He must have started taking pictures on his own and had success at that, and then slowly developed his style and techniques of working with a team. If someone knows his professional story I'd like to request that they add it to the article, that would be a major improvement. Thanks. RenniePet (talk) 23:08, 23 January 2012 (UTC)[reply]
He've said in some interveiw (don't remember where or when) that he started with a pile of dirt on his parents backyard, and he suddenly got the idea to stage it and photograph it, and that's where it begun (as in, small scale). Someone could try to find the same interveiw ~ Anonymous 12-11-29 22:11 — Preceding unsigned comment added by 80.78.215.26 (talk) 21:12, 29 November 2012 (UTC)[reply]
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Gregory Crewdson: 1985–2005, Kunstverein Hannover, Hanover, Germany;[2] and traveled to Kunstmuseen Krefeld, Germany, 2006;[3] Fotomuseum Winterthur, Switzerland; and Landsgalerie Linz, Austria, 2006[4]
Gregory Crewdson: Fireflies, Skarstedt Fine Art, New York, NY, 2006[5]
Gregory Crewdson: In a Lonely Place, traveling show, C/O Berlin, Berlin, 2011; Det Kongelige Bibliotek, Kulturhuset, Stockholm, Sweden, 2011;[6] Copenhagen, Denmark, 2011/2012;[7] Centre for Contemporary Photography, Melbourne, Australia, 2012;[8] Institute of Modern Art, Brisbane, Australia, 2013;[9] City Gallery Wellington; and Dunedin Art Gallery, Dunedin, New Zealand, 2013[10]
Gregory Crewdson: Dream House, The San Diego Museum of Art, San Diego, CA, 2015[16]
Cathedral of the Pines, Galerie Templon, Brussels and Paris concurrently, September–October 2016;[17]The Photographers' Gallery, London, 2017;[18] Centre of Contemporary Art, Toruń, Poland, November 2017 – January 2018[19]
The Becket Pictures, FRAC Auvergne, Clermont-Ferrand, France, 2017[21]
Gregory Crewdson: Eveningside (a survey of work from 2012 to 2022), Gallerie d'Italia, Turin, Italy, October 2022 – January 2023,[22] exhibition traveled to the LUMA Foundation at Rencontres d'Arles, Arles, France, July–September 2023,[23] and VB Photography Center, Kuopio, Finland, June 12-Sept. 15 2024[24]
Gregory Crewdson: Forest Fables, University of San Diego, San Diego, CA, September–October 2023[25]
Gregory Crewdson: Eveningside, Reflex Gallery, Amsterdam, Netherlands, Mar 11-May 6, 2023,[26] Alan Koppel Gallery, Chicago, April–August 2023,[27] Templon, Paris, France, Nov. 8-Dec. 23 2023[28]
Gregory Crewdson: Retrospektive, The Albertina Museum, Vienna, Austria, May–September 2024[29]
Picturing Ritual. The Center for Photography, Woodstock; Neuberger Museum, SUNY Purchase, NY, 1993[31]
Daydream Nation. Luhring Augustine, New York, NY, 1993[32]
Close Encounters. Ikon Gallery, Birmingham, AL. Visual Arts Gallery, SUNY Purchase, Purchase, NY. Feigen Gallery, Chicago, IL. Elizabeth Koury, New York, NY, 1993[33]
Home Sweet Home and Other Fables. St. Louis Art Museum, St. Louis, MO, 1993[34]
What I Did on My Summer Vacation. White Columns, New York, NY, 1996[47]
Shot: Una Visione Americana (curated by Christiana Perrella, Valentina Moncada) Valentina Moncada Gallery, Rome, Italy, 1996[48]
Show and Tell. Lauren Wittels Gallery, New York, NY, 1996[49]
Everything that's Interesting is New (organized by the DESTE Foundation). The Dakis Joannou Collection, Athens School of Fine Arts “the factory,” Athens, Greece, 1996[50]
A Thin Line. Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 1997[34]
To Be Real. Yerba Buena Center for the Arts, San Francisco, CA, 1997[34]
De fleurs en mai. Oeuvres de la collection du Frac des Pays de la Loire. Maison Billaud, Fontenay-le-Comte, Pays de la Loire, France, 1997[34]
Pictures This: Photographs from Former and Current Faculty and Staff of the Cooper Union School of Art. Cooper Union Foundation Building, New York, NY, 1997[51]
Surrealism. Wexner Center for the Visual Arts, Columbus, OH, 1997[52]
The Set Up. Barbara Farber Galerie, Amsterdam. ‘97 Gwangju Biennale, Gwangju, South Korea, 1997[53]
American Art Today: The Garden. The Art Museum at Florida International University, Miami, FL, 1997[54]
Making It Real (organized and circulated by Independent Curators International, New York, and curated by Vik Muniz). Traveled to The Aldrich Museum of Contemporary Art, Ridgefield, CT; Reykjavik Municipal Art Museum, Reykjavik, Iceland; Portland Museum of Art, ME; Bayly Art Museum, University of Virginia, Charlottesville, VA; Bakalar Gallery, Massachusetts College of Art, Boston, MA; Emerson Gallery, Hamilton College, Clinton, NY, 1997– 99[56]
The New Surrealism. Pamela Auchincloss Project Space, New York, NY, 1998[34]
Spectacular Optical. Thread Waxing Space, New York, NY, 1998[57]
Botanica: Contemporary Art and the World of Plants. Tweed Museum of Art, University of Minnesota, Duluth, MN. Traveled to: Plains Art Museum, Fargo, ND; University Galleries, Illinois State University, Normal, IL; Carleton College ArtGallery, Northfield, MN; Alexandria Museum of Art, Alexandria, LA; Tarble Arts Center, Eastern Illinois University, Charleston, IL; Chicago Cultural Center, Chicago; University Gallery, University of Delaware, Newark, DE, 1999[34]
Summer SurReality. Judy Ann Goldman Fine Art, Boston, MA, 1999[34]
Full Exposure: Contemporary Photography. New Jersey Center for Visual Arts, Summit, NJ, 1999[34]
As Far as the Eye Can See. Atlanta College of Art Gallery/City Gallery at Chastain, Atlanta, GA, 1999[34]
Nature is Not Romantic. The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, NY, 1999[66]
Under/Exposed. Varldens Storsta Fotoutstallning, Stockholms Tunnelbana, Stockholm, 1999[67]
Affinities with Architecture. Belk Gallery, Western Carolina University, Cullowhee, NC. Traveled to: Carroll Reece Museum, East Tennessee State University, Johnson,City, TN; Anderson Gallery School of the Arts, Virginia Commonwealth University, Richmond, VA, 1999[68]
Before They Became Who They Are. Kravets/ Wehby Gallery, New York, NY, 2000[34]
Beastie Boys Exhibition. Gavin Brown's Enterprise, New York, NY, 2000[34]
The Swamp: On the Edge of Eden. Samuel P. Harn Museum, Gainsville, FL, 2000[77]
Larry Clark/Gregory Crewdson. Eleni Koroneou Gallery, Athens, Greece. Contemporary Group Show. Fifty One Fine Art Photography, Antwerp, Belgium. Gregory Crewdson, Vik Muniz, Hiroshi Sugimoto. Spark Inc., Tokyo, Japan, 2000[78]
Settings and Players: Theatrical Ambiguity in American Photography (curated by Louise Neri and Vince Aletti). White Cube, London. Traveled to: The City Gallery of Prague, Prague, Czech Republic, 2001[79]
Bright Paradise. The First Auckland Triennial, University of Auckland Art Gallery, Auckland, New Zealand, 2001[80]
Photochrome. Current Contemporary Photography from New York Galleries. Silvermine Guild Galleries, New Canaan, CT, 2001[34]
The Reality Effect: Contemporary American Photography. Guild Hall of East Hampton, East Hampton, NY, 2001[81]
Fantastic. Massachusetts Museum of Contemporary Art, North Adams, MA, 2003– 04[82]
Picasso to Pop: A Growing Contemporary Collection. Phoenix Art Museum, Phoenix, AZ, 2004[83]
Nunca supe si lo que me contabas era cierto o producto de tu fantasia. Galería Estrany–De La Mota, Barcelona, Spain, 2004– 05[34]
Fotografía de los años 80 y 90 en la colección del MNCARS. Museo de Arte Abstracto Español, Cuenca, Spain, 2005[84]
Acting Out: Invented Melodrama in Contemporary Photography (organized by Kathleen A. Edwards). University of Iowa Museum of Art, Iowa City, IA. Traveled to: The Neuberger Museum of Art, State University of New York, Purchase, NY, 2005[85]
Into Me/Out of Me. P.S.1 Contemporary Art Center, Long Island City, NY. Traveled to: Kunst-Werke Institute for Contemporary Art, Berlin, Germany, 2006– 07[88]
Untitled(Vicarious): Photographing the Constructed Object, Gagosian Gallery, New York, NY, 2008[89]
For what it's worth, it looks like this exhibition list was generated using ChatGPT: a bunch of the urls end in "utm_source=chatgpt.com". So apart from what the MOS says, I'd want to check that each exhibition was real and not hallucinated. Apocheir (talk) 02:05, 27 May 2025 (UTC)[reply]
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