Spies in Disguise
Spies in Disguise is a 2019 American animated spy comedy film produced by Blue Sky Studios and distributed by 20th Century Fox. Loosely inspired by the 2009 animated short Pigeon: Impossible by Lucas Martell, the film is directed by Troy Quane and Nick Bruno (in their feature directorial debuts) from a screenplay by Brad Copeland and Lloyd Taylor, and a story by Cindy Davis. It stars the voices of Will Smith and Tom Holland, alongside Rashida Jones, Ben Mendelsohn, Reba McEntire, Rachel Brosnahan, Karen Gillan, DJ Khaled, and Masi Oka in supporting roles. The plot follows a secret agent who is transformed into a pigeon by an intelligent young scientist; the two must then work together to stop a revenge-seeking cybernetic terrorist, and return the agent to his human form. The film premiered at the El Capitan Theatre on December 4, 2019, and was theatrically released in the United States on December 25, 2019. It received generally positive reviews from critics, with praise for the animation, music, humor, and vocal performances (particularly Smith and Holland). However, the film was a box-office failure, grossing $171.6 million worldwide against a $100 million budget.[7][8] The film was the last film to be produced by Blue Sky Studios,[9] as well as the only animated film from 20th Century Fox and Blue Sky Studios after the acquisition of 21st Century Fox by The Walt Disney Company, and the last animated film to use the 20th Century Fox name. PlotLance Sterling, a cocky secret agent of H.T.U.V. (Honor, Trust, Unity and Valor), is sent to recover an attack drone from Japanese arms dealer Katsu Kimura in Japan. As soon as the buyer, cybernetically enhanced terrorist Killian, arrives, Sterling breaks in against the orders of H.T.U.V. director Joy Jenkins, defeats Kimura and his gang, and manages to escape with the briefcase containing the drone. Sterling returns to the H.T.U.V. headquarters to confront Walter Beckett, a socially inept MIT graduate and outcast young scientist, for equipping nonlethal weapons into his suit. Walter tries to convince Sterling that there is a more peaceful way to save the world but Sterling fires him before he can explain his latest invention: "biodynamic concealment". Sterling discovers the briefcase to be empty and is confronted by Marcy Kappel, an internal affairs agent, who reveals footage of Sterling – actually Killian in a holographic disguise – leaving with the drone, labeling him as a traitor. Sterling escapes the H.T.U.V. and decides to track down Walter to help him disappear. Meanwhile, Killian breaks into the H.T.U.V. covert weapons facility. While searching Walter's home for his invention, Sterling ingests the concoction and transforms into a pigeon by undergoing "chromothripsis". Before Walter and Sterling can decide what to do next, Marcy and other H.T.U.V. agents chase the duo through the city, but the duo escape in Sterling's spy car. The two track down Kimura at a resort in Playa del Carmen, Mexico. There, they learn of Killian's whereabouts in Venice, Italy before Marcy and the H.T.U.V. can capture them again. Arriving in Venice, Walter is confronted by the H.T.U.V., who are unaware of Sterling's condition. Revealing that she knows about Wendy, Walter's mother who was a police officer who died on duty, Marcy tries to convince him to help turn Sterling in, but Walter refuses. Suddenly, a drone distracts the H.T.U.V. and allows Walter and Sterling to escape. The two discover the drone carrying the H.T.U.V. agent database, and Walter manages to retrieve it. However, Killian shows up, takes the database and prepares to kill Walter. With help from hundreds of pigeons in the surrounding area, they distract Killian and flee. Disguised as Sterling once more, Killian escapes the H.T.U.V., shaking Marcy's suspicions of Sterling upon her seeing him with a robot hand. Whilst underwater in a submarine, Walter reveals he planted a tracking device on Killian and locates him at the weapons facility. Walter manages to perfect the antidote and successfully turns Sterling human again. Reaching Killian's hideout, Sterling is concerned about Walter's safety and sends him away in the submarine. Once inside, Sterling confronts Killian, but is knocked out and captured as Killian reveals he has mass-produced hundreds of drones to target everyone at the agency using the database as revenge for killing his crew in a past mission led by Sterling. Noticing Walter returning in the submarine, Killian destroys it; unbeknownst to them, Walter survives with the help of one of his inventions, the inflatable hug. Once Walter frees Sterling, the two escape and contact Marcy for support as the drones approach H.T.U.V. headquarters in Washington D.C. Walter attempts to hack into Killian's bionic arm but when Killian realizes this, he tries to flee via air with a drone, but Walter catches up. Walter risks his life by trapping Killian in the inflatable hug and deactivates the villain's arm as Walter himself falls, but Sterling, who has turned himself back into a pigeon, successfully flies for the first time and carries him to safety with help from other pigeons, while Killian is found and arrested. Despite saving the world, Sterling – back in his human form – and Walter are fired for insubordination. However, they are quickly rehired by the H.T.U.V. as the agency could learn from Walter's more peaceful ways of handling villainy. Voice cast
Olly Murs appears as a Junior Agent,[14] while Mark Ronson voices an Agency Control Room Technician. The voice of Lance’s car, an Audi RSQ e-tron, is provided by Kimberly Brooks. South Korean voice actors So Youn and Jang Min-hyuk provided the voices of Soo-min and Joon respectively, the protagonists in a South Korean television drama series Walter is a fan of in the film. Jang also voiced Lance Sterling in the Korean dub of the film. ProductionOn October 9, 2017, it was announced that development was underway on a film based on the animated short Pigeon: Impossible (2009), with Will Smith and Tom Holland set to voice the lead characters.[15] On October 29, 2018, new additions to the voice cast included Ben Mendelsohn, Karen Gillan, Rashida Jones, DJ Khaled and Masi Oka.[16] On July 23, 2019, Reba McEntire and Rachel Brosnahan joined the cast.[11] On September 9, 2019, Carla Jimenez was added as well.[13] The film was the directorial debut of Nick Bruno, and the second for Troy Quane, after having directed the short film The Smurfs: A Christmas Carol (2011).[17][18] The film was dedicated to the memory of Joe Kwong, who worked at Walt Disney Animation Studios and Blue Sky Studios before his death. MusicScoreOn June 12, 2018, it was reported that Theodore Shapiro was set to compose the film's score.[3] The film's score album was released by Hollywood Records and Fox Music on December 27, 2019. EP soundtrack
On June 11, 2019, it was announced that Mark Ronson would be the film's executive music producer.[19] Head of Fox Music Danielle Diego expressed excitement at working with Ronson, stating that "his unique blend of vintage soul and funk exceptionally captures the soul of [the] film."[19] On November 22, 2019, an original song for the film entitled "Then There Were Two", performed by Ronson and Anderson .Paak, was released.[20] Two days later, an extended play album titled Mark Ronson Presents the Music of Spies in Disguise was announced, featuring five new songs written for the film as well as Rob Base & DJ E-Z Rock's "It Takes Two".[21] The EP was released digitally on December 13, 2019, by RCA Records.[21] Track listing
ReleaseTheatricalThe film was originally scheduled for release on January 18, 2019.[10] The film was delayed to April 19, 2019. The film was delayed to September 13, 2019.[22] The film was delayed to December 25, 2019.[23] The film had its world premiere at the El Capitan Theatre on December 4, 2019.[24] Home mediaThe film was released on 4K Ultra HD Blu-ray, Blu-ray, DVD, and digital download by Walt Disney Studios Home Entertainment and 20th Century Fox Home Entertainment on March 10, 2020.[25][26] The film was released on Disney+ on September 23, 2022. ReceptionBox officeSpies in Disguise grossed $66.8 million in the United States and Canada, and $104.9 million in other territories, for a worldwide total of $171.6 million.[5][27][28] In the United States and Canada, the film was released on Wednesday, December 25, alongside Little Women, 1917, and Just Mercy as well as the wide expansion of Uncut Gems, and was projected to gross $19–23 million from 3,502 theatres over its five-day opening weekend.[29] The film made $4.8 million on Christmas Day and $4.1 million on its second day.[30] It went on to make $13.2 million during its opening weekend, for a total of $22.1 million over the five-day Christmas period, finishing fifth.[31][32] In its second weekend the film made $10.1 million, finishing sixth.[33] In its third weekend, it grossed $5.1 million, dropping 50.9% from the previous weekend and finishing at 10th place.[34] The film's budget is undisclosed. IndieWire estimated that it may have been $100 million or more, based on previous Blue Sky films.[32] Critical responseOn the review aggregator website Rotten Tomatoes, 77% of 125 critics' reviews are positive, with an average rating of 6.6/10. The website's consensus reads: "A cheerfully undemanding animated adventure that's elevated by its voice cast, Spies in Disguise is funny, fast-paced, and family-friendly enough to satisfy."[35] Metacritic gave the film a weighted average score of 54 out of 100, based on 22 critics, indicating "mixed or average reviews".[36] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale, while those surveyed by PostTrak gave it an average 3.5 out of 5 stars.[31] Peter Bradshaw of The Guardian gave the film three out of five stars, calling it an "entertaining family adventure", and praising the vocal work of Smith and Holland.[37] Kwak Yeon-soo, a reporter at The Korea Times, wrote that the film failed to convey its message because of its "lackluster narrative". Kwak also pointed out that the film tried to attract audiences there by putting references to the South Korean popular culture, and that it ended up exemplifying Walter Beckett's "weird" personality.[38] Accolades
References
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