In 1996, she published her first album, Jouvence La Bordelaise,[2] based on a script by Frédéric Bouchet and, at the same time, she drew for Sud Ouest Dimanche and Milan Presse.[2]
The following year, she published Le 11e jour, a testimony of the September 11 attacks in 2001.[6] She joined forces with Claude Bourgeyx [fr], who wrote the script for her for Monsieur Régis, published in 2009. The following year, she wrote a series, Résurgences, Femmes en voie de resociabilisation (Resurgences, Women on the Way to Resocialization)[7] as well as Sorcellerie & dépendances, a parodic story.[8] Based on a script by Marzena Sowa, Revel drew N'embrassez pas qui vous voulez, published in 2012, about Poland in the Stalin era.[9]
In 2018, she wrote and drew Pygmalion.[15] Three years later, she delivered a biography of Tom Thomson, om Thomson, esquisses d'un printemps.[16] In 2020, on a script by Isabelle Bauthian [fr], Revel drew Chroniques de San Francisco.[17]
In 2022, together with Théa Rojzman, Revel won the high school prize at the Angoulême International Comics Festival for the graphic novel Grand silence,[18] on the theme of sexual violence against children.[19]
Le voyage de June, written by Sophie Kovess-Brun, Des ronds dans l'O, 2015
Awards and distinctions
2001: Alph-Art Youth Prize at the Angoulême International Comics Festival for the album Un drôle d'ange gardien, volume 2: Un zoo à New York, written by Denis-Pierre Filippi, illustrated by Revel
2016: Prix Artémisia for Glenn Gould, une vie à contretemps[14]
2022: Prix des lycées at the Angoulême International Comics Festival with Théa Rojzman (script) for Grand silence[18]
^Pelletier, Frédérique, "Pygmalion : melomania", dBD [fr], no. 125, July–August 2018, p. 115 (in French)
^Servin, Lucie, "Tom Thompson, esquisses de printemps : ce que la nature chuchote", Les Cahiers de la bande dessinée [fr], no. 9, October–December 2019, pp. 162–63 (in French)