Architectural revivalism is the use of elements that echo the style of a previous architectural era that have or had fallen into disuse or abeyance between their heyday and period of revival. Revivalism, in a narrower sense, refers to the period of and movement within Western architectural history during which a succession of antecedent and reminiscent styles were taken to by architects, roughly from the mid-18th century, and which was itself succeeded by Modernism around the late 19th and early 20th centuries.[1] Notable revival styles include Neoclassical architecture (a revival of Classical architecture), and Gothic Revival (a revival of Gothic architecture). Revivalism is related to historicism.
Western architecture of the 19th century, including Victorian architecture, is an example of Revivalism.
The idea that architecture might represent the glory of kingdoms can be traced to the dawn of civilisation, but the notion that architecture can bear the stamp of national character is a modern idea, that appeared in the historical and philosophical writing of the 18th century and was given political currency in the wake of the French Revolution. As the map of Europe was repeatedly changing, architecture was used to grant the aura of a glorious past to even the most recent of nations. In addition to the credo of universal Classicism, two new, and often contradictory, attitudes on historical styles existed in the early 19th century. Pluralism promoted the simultaneous use of the expanded range of style, while Revivalism held that a single historical model was appropriate for modern architecture. Associations between styles and building types appeared, for example: Egyptian for prisons, Gothic for churches, or Renaissance Revival for banks and exchanges.[citation needed] These choices were the result of other associations: the pharaohs with death and eternity, the Middle Ages with Christianity, or the Medici family with the rise of banking and modern commerce.
Whether their choice was Classical, medieval, or Renaissance, all Revivalists shared the strategy of advocating a particular style based on national history, one of the great enterprises of historians from the mid-18th to early 19th centuries. Only one historic period was claimed to be the only one capable of providing models grounded in national traditions, institutions, or values. Issues of style became matters of state.[2]
The most well-known Revivalist style is the Gothic Revival one, that appeared in the mid-18th century in the houses of a number of wealthy antiquarians in England, a notable example being the Strawberry Hill House. German Romantic writers and architects were the first to promote Gothic as a powerful expression of national character, and in turn use it as a symbol of national identity in territories still divided. Johann Gottfried Herder posed the question 'Why should we always imitate foreigners, as if we were Greeks or Romans?'.[3]
Mid-20th century–present
Modern-day revival styles are frequently placed under the heading of New Classical architecture. Revivalism is not to be confused with complementary architecture, which looks to the previous architectural styles as means of architectural continuity.
Styles
Mixed
Typical historicist house: Gründerzeit building by Arwed Roßbach in Leipzig, Germany (built in 1892)
Eclecticism – Conscious mixing of disparate historical styles
Historicism or Historism – mixed revivals that can include several older styles, combined with new elements
New Classical Architecture – an umbrella term for modern-day architecture following pre-modernist principles
Russian Revival architecture – generic term for a number of different movements within Russian architecture that arose in second quarter of the 19th century.
