Pink Flag is the debut album by the British post-punk band Wire. It was released in November 1977 through Harvest Records.[1] The album was critically acclaimed on release, and has since been highly influential; today it is regarded as a landmark in the development of post-punk music.[8]
Reviewing in 1978 for The Village Voice, Robert Christgau called Pink Flag a "punk suite", praised its "simultaneous rawness and detachment" and detected a rock-and-roll irony similar to, but "much grimmer and more frightening" than, the Ramones.[20] In a 1978 Trouser Press review, Ira Robbins said that "Wire [push] minimalism to new heights" and that the band "dredges up images of...beat poetry--short fragments of impressions set to music." He further said that the 21 tracks are "not songs...There's no easy structure or meter. Each explores or describes or electrifies or challenges. There's no easy listening." Robbins concluded, "I can't say this is an enjoyable album. Maybe it's just a stupid bit of rubbish. But you won't know unless you find out."[21]
In a retrospective review, Steve Huey of AllMusic opined that Pink Flag was "perhaps the most original debut album to come out of the first wave of British punk" and also "recognizable, yet simultaneously quite unlike anything that preceded it. Pink Flag's enduring influence pops up in hardcore, post-punk, alternative rock, and even Britpop, and it still remains a fresh, invigorating listen today: a fascinating, highly inventive rethinking of punk rock and its freedom to make up your own rules."[9] Retrospectively, Trouser Press called the album "a brilliant 21-song suite" in which the band "manipulated classic rock song structure by condensing them into brief, intense explosions of attitude and energy, coming up with a collection of unforgettable tunes".[22]Pitchfork writer Joe Tangari summarized the album as "a fractured snapshot of punk alternately collapsing in on itself and exploding into song-fragment shrapnel."[14]
* The bonus tracks were removed from the 2006 remastered reissues, because, according to the band, they did not honour the "conceptual clarity of the original statements".[34] The tracks were also left off both editions of Pink Flag's 2018 remaster, but can be found on the 2018 deluxe reissue of Chairs Missing.
2018 Special Edition
The first disc of the Special Edition contains the twenty-one tracks from the original album.
Disc two (Demos and Alternative Recordings)
No.
Title
Length
1.
"The Commercial" (First demo session, May 1977, EMI Studios, London)
0:51
2.
"Mr. Suit" (First demo session, May 1977, EMI Studios, London)
1:32
3.
"Pink Flag" (First demo session, May 1977, EMI Studios, London)
2:34
4.
"Surgeon's Girl" (Second demo session, May 1977, Riverside Studios, London)
1:38
5.
"Field Day for the Sundays" (Second demo session, May 1977, Riverside Studios, London)
Mike Thorne – production, piano on "Reuters", backing vocals on "Reuters" and "Mr. Suit", flute arrangement on "Strange", electric piano on "Options R"
^Rolling Stone staff (22 September 2020). "The 500 Greatest Albums of All Time". Rolling Stone. Retrieved 21 December 2020. This first-generation U.K. punk band made sparse tunes that erupted in combustible snippets on its 21-track debut album. America never got it, but Pink Flag – as revolutionary discs tend to do – influenced some important bands, including Sonic Youth and the Minutemen. It also might be one of the most-covered punk LPs ever: Minor Threat did "12XU", R.E.M. did "Strange", the New Bomb Turks did "Mr. Suit", Spoon did "Lowdown", the Lemonheads did "Fragile", and on and on.
^The songwriting credits for Pink Flag have been modified on all reissues since 2006.[33] All tracks were originally credited to Bruce Gilbert, Graham Lewis, Colin Newman and Robert Gotobed, except "Different To Me", which was credited to Annette Green.
^"Options R" was credited to Lewis alone on all pre-2006 releases.[33]