Jackson is the founder of existential anthropology, a non-traditional sub-field of anthropology using ethnographic methods and drawing on traditions of phenomenology, existentialism, and critical theory, as well as American pragmatism, in exploring the human condition from the perspectives of both lifeworlds and worldviews, histories and biographies, collective representations and individual realities.
The struggle for being involves a struggle to reconcile shared and singular experiences, acting and being acted upon, being for others and being for oneself. But rather than polarise subject and object, Jackson emphasises the intersubjective negotiations at the heart of all relationships – whether between persons, persons and things, persons and language – and shows that being-in-the-world consists of endless dilemmas and constant oscillations in consciousness that admit of only temporary, imagined, narrative or ritualised resolutions. Insofar as anthropological understanding is attained through conversations and events in which the ethnographer's prejudices, ontological assumptions, and emotional dispositions are at play, the ethnographer cannot pretend to be an impartial observer, producing objective knowledge. Jackson's published work fully discloses the contexts in which understandings are negotiated, arrived at, or, in some instances, unattainable.[1]
Jackson's recent books have explored diverse topics such as well-being in one of the world's poorest societies (Life Within Limits), the relation between religious experience and limit situations (The Palm at the End of the Mind), the interplay between egocentric and sociocentric modes of being (Between One and One Another), and writing as a technology for creating connections that transcend the limits of ordinary communication (The Other Shore).
His poetry has appeared in Poetry NZ.[3] and in the Poetry Archive (UK). One critic wrote: In Dead Reckoning, Jackson deploys "a navigator’s term for estimating one’s location based upon extrapolations of distance and direction from one’s last-known position. The eponymous poem cements the metaphor’s connection to personal identity..."[4] In Being of Two Minds (2012), Jackson explores the existential quandaries of being torn between seemingly irreconcilable affections, identifications, and places of personal anchorage. The critic Vincent O'Sullivan writes, "What one hears in his readings is the modest, confidant, international voice that drives his poems, the conversing of a man who, as ever, is on one road to find another."[5]