In October 1977, the song was released as a single in The Netherlands and Belgium, reaching No. 3 on the Dutch Top 40. Its success was credited to a performance in the Dutch pop TV show TopPop, where Iggy Pop, shirtless, wrecked part of the stage set (which consisted of a couple of potted plants and some cardboard scenery). Although many viewers and newspapers complained about the apparent damage, the director of TopPop later admitted that they knew beforehand what Iggy was going to do and that the damage was minimal.[10][11]
Trainspotting
"Lust for Life" gained renewed popularity in the late 1990s after being featured in the 1996 British film Trainspotting. The song was heavily featured in the film's marketing campaign and subsequent soundtrack album, resulting in a new UK chart peak of No. 26 on the singles chart after being reissued as a single.[12] It also reached No. 39 on the US Radio & Records Alternative chart, No. 44 in Canada, and No. 2 in Iceland.[13][14][15] The single's success inspired Pop's then-label Virgin Records to issue a greatest hits compilation titled Nude & Rude.[16] Pop's biographer Joe Ambrose wrote that the song gained the same level of resurgence as The Doors' "The End" after that song's inclusion in Francis Ford Coppola's 1979 film Apocalypse Now.[17] In 1999, Pop reflected on the song's renewed popularity:[18]
When I made Lust for Life, I really thought America was gonna rock to this motherfucker. And it took 20 fuckin' years which is a really long time to wait. I guess what happened is that there was this system that wasn't gonna fuckin' give me a break, and I outlived the system. The movies and advertisers have subverted the stranglehold of radio in America, and there are now other ways for people to hear music. All of a sudden, – a few years ago when Trainspotting came out – I was walkin' down the street and I'd heard Raw Power comin' out of the bars.
The song's lyrics contain a number of references to William S. Burroughs' experimental novel The Ticket That Exploded, most notably mentions of "Johnny Yen" (described by Burroughs as "The Boy-Girl Other Half strip tease God of sexual frustration") and "hypnotizing chickens".
In a 1995 interview, Doors keyboardist Ray Manzarek and manager Danny Sugerman stated that the opening lyrics were about their deceased heroin dealer, nicknamed "Gypsy Johnny", arriving at Wonderland Avenue, with his heroin and his "motorized dildos".[9]
