Among his awards include the B.M.I. Award in 1970, the Margaret Grant Award from Tanglewood in 1974 (when he was a composition fellow[7]), and the 1979 UMass/Boston award in music composition (which resulted in performance at the 2nd annual Harbor Festival "Winds and Airs - Music to Celebrate Spring" on UMass Boston's campus in April 1979).[4][8]
Some of his compositions have been published by Schirmer.[9] Among his students are Steven David Stalzer,[10] Bonnie Cochran,[11] William Eldridge,[12] Robin Baker, Gary Lloyd Noland,[13] Yuriko Kojima,[14] Pasquale Tassone,[15] Hau-yee Ng,[16]Alejandro Madrid,[17] and Hayato Hirose.[18][19]
Other composers named John Adams
There are at least two other composers named John Adams, which has led to several points of confusion, including mistaken festival programming and incorrect authority control attributions: John Coolidge Adams (who goes professionally by John Adams), and John Luther Adams. Further complicating the matter is that both John C. Adams studied at Harvard at the same time, including having had their theses overseen by Leon Kirchner.[7][20][21][22][23]
Selected works
Kyrie and Sanctus, date unknown, for SATB chorus[4]
Some keep the Sabbath going to Church, date unknown[24]
Klein[e] Kammermusik, op. 24 No. 2, date unknown, in three movements[25]
Overture to Oberon, for baritone, chorus & orchestra, date unknown[26]
Piano Trio, date unknown, premiered April 23, 1993, by Boston Conservatory Chamber Ensemble at First & Second Church[27]
Study (Dolls and Dreams), 1966, for violin and piano[4]
Er Kommt, 1967, for piano (played inside with mallet and pick)[4]
Seven Canons, 1968, for clarinet and bass clarinet[4]
Electric Wake, 1969, for soprano, speaker, & string quartet (all amplified), harp, celeste, piano, percussion. Based on poems from Jeffrey Hamm's Talley Felt The Rain.[4]
Genesis, 1970, a cantata for 3 SATB choruses, flute, 2 string orchestras, organ based on text from the Book of Genesis.[4]
Piano Sonata, 1970, premiered 1974 by Alfred Lee[4]
Violin Concerto, 1982, his Harvard PhD thesis, dedicated to his eventual husband Thurston Smith, premiered April 17, 1992, by Victor Romanul with the Berkshire Symphony in Chapin Hall, Williams College[30][31][32][2]
Heine Songs, 1988, settings of Aus den Himmelsaugen, Dein Angesicht, Die Linde blüte, and Fragen,[39] for high voice and piano. Premiered in May 1988 by the Boston Chamber Music Society (resident ensemble of the Boston Conservatory).[40]
Nocturne, 1988, for piano, flute, cello, and violin[29]
Eight views for piano, circa 1988/1989, premiered March 5, 1989 in Paine Hall at a concert celebrating Leon Kirchner's 70th birthday, featuring works composed for the occasion by 14 other of Kirchner's former students.[38][41][37][42]
Diversion for Seven Flutes, 1989, premiered April 13, 1989, at Boston Conservatory's Seully Hall[43][44]
Three Lyric Pieces for Violin and Piano, 1997, premiered by Victor Romanul and Janice Weber on April 6, 1997, at First & Second Church.[46]
Affirmations, 1998, for baritone, chorus, and orchestra, premiered December 4, 1998, by Robert Honeysucker, the Boston Conservatory Orchestra and Chorale[47][3]
^ abHinson, Maurice; Wesley Roberts (2021). The piano in chamber ensemble: an annotated guide (Third ed.). Bloomington, IN: Indiana University Press. ISBN978-0-253-05674-0. OCLC1260192498.
^An evening of premieres: in honor of Daniel Pinkham, on the occasion of his 75th birthday. OCLC39983515.
^Klein[e] Kammermusik Op. 24 Nr. 2 / (in three movements) / John Clement Adams. Come again! sweet love doth now invite ; Flow my tears / John Dowland. Bachianas brasileiras no. 5 / Heitor Villa-Lobos. Three by three / Robert W. Jones. Divertimento no. 2 : (from five Divertimenti for two clarinets and bassoon, E. [i.e. K.] 439b / Wolfgang Amadeus Mozart. OCLC33981372.
^Overture to 'Oberon' / for baritone, chorus & orchestra / John Clement Adams. Symphony no. 9 in E minor, op. 95 / Antonin Dvorak. OCLC40880623.
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