Heather Christine Sears (28 September 1935 – 3 January 1994) was a British stage and screen actress.
Early life
Sears was the daughter of distinguished London doctor William Gordon Sears and Eileen Gould.[3]
Although not from an acting family, she was performing in plays at the age of five, and writing them at the age of eight. Sears had a long association with French culture, which began when she spent summers in Brittany with her pen pal Michelle where she learned to speak French fluently.
Sears was educated at St Winifred's School, Llanfairfechan[3] until she was 16, when she followed her elder sister Ann Sears (1933–1992) to the Central School of Speech and Drama in London. During her last year, she signed a seven-year contract with Romulus Films, which allowed her six months per year to act on the stage and for television. This was made possible through film director Jack Clayton, her friend and mentor.
After leaving school, Sears spent time in Paris performing voiceover and dubbing work and socialising with artists and writers such as Pablo Picasso, Albert Camus and Arthur Koestler.[4]
Early career
Sears began performing with the Windsor Repertory Company at the Theatre Royal, Windsor in 1955. Her film début was a minor role in Michael Truman's Touch and Go the same year, followed by a part in Maurice Elvey's film version of comedy Dry Rot (1956) as the naive Susan.
Her title role in David Miller's film The Story of Esther Costello (1957) brought Sears international acclaim. Joan Crawford chose Sears to play the blind, deaf and mute 15-year-old who is adopted by a rich American socialite. After completing her work on The Story of Esther Costello, Sears married Tony Masters, one of the two art directors of the film. A year later she was nominated for the Golden Globe award and also received the British Film Academy award for best British actress of the year. After this initial success, she alternated between film and theatre roles until the mid-1960s.
Sears travelled to Australia to appear in the last Ealing Studios film, The Siege of Pinchgut (1959), in which she played a hostage who forms a romantic liaison with an escaped convict. The film later became a classic of Australian cinema.
One year later, in the film adaptation of Lawrence's semi-autobiographical novel Sons and Lovers (1960) directed by Jack Cardiff, she appeared as Miriam, the girlfriend and intellectual companion of Paul Morel (Dean Stockwell).
In the 1970s, Sears returned to provincial repertory theatre. She was based at the Haymarket Theatre in Leicester, where she played title roles in classical plays by Sophocles (Antigone and Elektra), Shakespeare, Goldsmith, Dostoyevsky, Ibsen (Hedda Gabler) and Strindberg (Miss Julie), as well as in the work of more modern playwrights such as Liane Aukin (Little Lamb),[5] Brecht (The Caucasian Chalk Circle), Ayckbourn (How the Other Half Loves), Rattigan and Pinter. She also toured with the One-Woman-Show playing Virginia Woolf. She later appeared in a television film adaptation of Dickens' semi-autobiographical novel Great Expectations (1974) as Biddy. In 1989, she made her final screen appearance in The Last Day of School, in which she played a working mother and entrepreneur.
In the last ten years of her life, Sears travelled extensively, spending many months in Mexico, China, Italy, North Africa and Egypt. Her husband Tony Masters died in May 1990 while on holiday with her in the south of France, where the couple would visit every year during the Cannes Film Festival. She did not remarry.
Sears died at the age of 58 in early 1994 of multiple organ failure caused by cancer at the family home in Hinchley Wood near Esher, Surrey. Her son Adam Masters became a film and television editor while his brothers Giles and Dominic became feature-film art directors.[6]