Hans Otto Jung (17 September 1920 – 22 April 2009) was a German viticulturist, jazz musician and patron of music. In the 1940s, he played as a pianist in the Hotclub Combo, which he cofounded with Emil Mangelsdorff and others. In 1987, he was a cofounder of the Rheingau Musik Festival. With his wife Ursula Jung, he sponsored cultural initiatives in the Rhein-Main region.
Life and career
Born in Lorch, Jung grew up in a musical family; his father Carl Jung, a viticulturist, organized regular chamber music concerts in Rüdesheim, with notable performers and composers who were personal friends of the family.[1][2]Paul Hindemith composed a ragtime to congratulate to the birth of Hans Otto, titled Young Lorch Fellow. Ragtime.[3]
Jung learned to play the piano with Emma Lübbecke-Job [de] among others, and later the violin and the viola,[4] performing in public for the first time in 1935. He studied social sciences in Frankfurt.[4] He was fascinated by jazz and collected recordings.[5] As a student, he cofounded the Hotclub Combo [de] in 1941, playing as the group's pianist with Carlo Bohländer [de], Emil Mangelsdorff, Hans Podehl [de] and Charly Petry.[6] They performed at the Rokoko-Diele, the bar of the Kyffhäuser-Hotel in Kaiserstraße [de] at a time when jazz and music by Jews were banned. When World War II began, only music with German titles was permitted, therefore they renamed pieces, such as Tiger Rag into "Löwenjagd im Taunus" (Lion hunt in the Taunus). When the place was patrolled they switched from American jazz numbers to German schlager such as "Du hast Glück bei den Frau'n, Bel Ami".[7] When the [7] In 1943, he also learned to play the double bass, and served as the group's bassist from 1945 to 1948 in the Hotclub Sextet. The broadcaster Hessischer Rundfunk aired in 1946/47 a show with him as the solo pianist,[3] playing in the style of Teddy Wilson.[citation needed]
He completed his studies with a Ph.D. in business administration (Betriebswirtschaft). He directed the family's winery,[2] which focused on the production of alcohol-free wines and brandy, but still often listened to jazz concerts and chamber music concerts in the Rhein-Main region. He often invited performers, especially pianists, to play at his residence Boosenburg, where he had two Steinway pianos.[2]
Jung was the president of the Wiesbaden association of artists and art lovers (Verein der Künstler und Kunstfreunde) from 1976.[8] In 1987, he was a cofounder and patron of the Rheingau Musik Festival.[2] Together with his wife Ursula, a historian, he was a patron of culture in the region, sponsoring institutions such a chamber music series and "Brahmstage" in Rüdesheim, the concert series "Die Kammermusik" in Wiesbaden,[8] and Dr. Hoch's Konservatorium and the Hochschule für Musik und Darstellende Kunst in Frankfurt.[citation needed]
Jung had an accident in the winter 2008/09 when he attended a concert of his friend Menahem Pressler in Hamburg, and died in Rüdesheim.[3]
His jazz collection of periodicals, manuscripts, and correspondence is held by the Jazzinstitut Darmstadt [de].[9] His residence still serves as a location of regular jazz and chamber music concerts, organized by his son Edu and the town of Rüdesheim.[2]
References
^Zwerin, Mike (2000). "The Ghetto Swingers". Swing Under the Nazis: Jazz as a Metaphor for Freedom. Cooper Square Press. pp. 17–21. ISBN978-1-46-173197-9 – via Google Books.
^ abLewinski, Wolf-Eberhard von; Jung, Ursula (1992). Aus der Geschichte des Vereines (in German). Wiesbaden: Die Kammermusik. p. 7. Archived from the original on 2017-11-18. Retrieved 20 November 2017.
^"Jazzarchives in Europe". Jazzinstitut Darmstadt (in German). 2017.
