Singles released in the UK for this album included "Nice in Nice" (peaked at No. 30), "Always the Sun", "Big in America" (peaked at No. 48) and "Shakin' Like a Leaf" (peaked at No. 58).[3] A fifth single was proposed by the record company, and a remix of the song "Was It You?" was prepared, but it was never released.
Background
The initial recording sessions for Dreamtime began in late 1985 with producer Laurie Latham, who had worked on the band's previous album Aural Sculpture. A few months were spent working on a handful of tracks before the Stranglers and Latham parted company.[4] Latham felt the songs needed more work from the band and had suggested a break in recording. In his 2001 book The Stranglers: Song by Song, guitarist Hugh Cornwell says, "Laurie's comment that our songs weren't ready had left a nasty taste in our mouths because we liked to work with people who were confident in us." The Stranglers therefore decided to continue work on the album with producer Mike Kemp.[5]
Jean-Jacques Burnel (1986): "Well, after three months in a Brussels studio we had only really finished three songs, and these songs aren't even going to be on the album." These three songs were "Shakin' Like a Leaf (single version)", "Norman Normal" (released as a single b-side in 1986), and "You" (released as a single b-side in 1991).[6]
In The Stranglers: Song by Song, Cornwell states that only three songs on Dreamtime were written by the usual songwriting team of himself and Burnel: "Ghost Train", "Mayan Skies" and "Too Precious". The rest were written by the two writers individually. "Always the Sun", "Dreamtime", "Big in America" and "Shakin' Like a Leaf" by Cornwell, and "Was It You?", "You'll Always Reap What You Sow" and "Nice in Nice" by Burnel. Cornwell handles the lead vocals on "You'll Always Reap What You Sow", as the band felt Burnel's "operatic" delivery didn't suit the song.[5]
Dreamtime is the second Stranglers album to feature a three-piece brass section on some tracks.[7] Although credited in the album liner notes for playing drums, Jet Black actually programmed all his drum parts, as he had done on Aural Sculpture.[7]
Contemporary reviews were mixed.[11] A positive review from CMJ New Music Report said that the Stranglers are "a prime example of a band that has streamlined their sound and still retained much of their bite as well as their signature." They described the album as "a smooth production that is pretty, with the ability to be pretty nasty at the same time."[12]
Retrospective reviews were more negative. Alex Ogg of AllMusic wrote, "After Aural Sculpture, this came as a major disappointment. It's not awful, but neither is it in any way essential. ... There are a couple of good songs, like "Always the Sun" and "Nice in Nice" ... but that's simply not enough for a once great band."[8] Ira Robbins of Trouser Press called it an "unfocused time-filler", writing, "Accomplished but bereft of ideas or concept, Dreamtime is a soporific, characterless nightmare."[13]
^Jean-Jacques Burnel interview in French Black & White fanzine, March 1986; English translation published in Strangled fanzine, Vol. 2, No. 24, October 1986, p. 14.
^Here & There: The Epic B-Sides Collection 1983-1991 (CD liner notes). The Stranglers. Absolute. 2014.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
