Norman Derek Mahon[1] (23 November 1941 – 1 October 2020) was an Irish poet.[2] He was born in Belfast, Northern Ireland but lived in a number of cities around the world. At his death it was noted that his, "influence in the Irish poetry community, literary world and society at large, and his legacy, is immense".[3] President of Ireland Michael D Higgins said of Mahon; "he shared with his northern peers the capacity to link the classical and the contemporary but he brought also an edge that was unsparing of cruelty and wickedness."[4]
Biography
Derek Mahon was born on 23 November 1941 as the only child of Ulster Protestant working-class parents. His father and grandfather worked at Harland and Wolff while his mother worked at a local flax mill.[5] During his childhood, he claims he was something of a solitary dreamer, comfortable with his own company yet aware of the world around him. Interested in literature from an early age, he attended Skegoneill Primary School and then the Royal Belfast Academical Institution, or "Inst".
At Inst he encountered fellow students who shared his interest in literature and poetry. The school produced a magazine in which Mahon produced some of his early poems. According to the critic Hugh Haughton his early poems were highly fluent and extraordinary for a person so young. His parents could not see the point of poetry, but he set out to prove them wrong after he won his school's Forrest Reid Memorial Prize for the poem 'The power that gives the water breath'.[6]
After leaving the Sorbonne in 1966 he worked his way through Canada and the United States. In 1968, while spending a year teaching English at Belfast High School, he published his first collection of poems Night Crossing. He later taught in a school in Dublin and worked in London as a freelance journalist. He lived in Kinsale, County Cork. On 23 March 2007, he was awarded the David Cohen Prize for Literature. He won the Poetry Now Award in 2006 for his collection, Harbour Lights, and again in 2009 for his Life on Earth collection.[8]
At times expressing anti-establishment values, Mahon has described himself as, an 'aesthete' with a penchant 'for left-wingery [...] to which, perhaps naively, I adhere.'[9]
In March 2020, at the beginning of the COVID-19 pandemic, RTÉ News ended its evening broadcast with Mahon reading his poem Everything Is Going to Be All Right.[11]
On 1 October 2020, Mahon died in Cork after a short illness, aged 78.[12]
He is survived by his partner Sarah Iremonger and his three children, Rory, Katy, and Maisie.[12]
Style
Thoroughly educated and with a keen understanding of literary tradition, Mahon came out of the tumult of Northern Ireland with a formal, moderate, even restrained poetic voice. In an era of free verse, Mahon often wrote in received forms, using a broadly applied version of iambic pentameter that, metrically, resembles the "sprung foot" verse of Gerard Manley Hopkins. Some poems rhyme. Even the Irish landscape itself is never all that far from the classical tradition, as in his poem "Achill":
And I think of my daughter at work on her difficult art
And wish she were with me now between thrush and plover,
Wild thyme and sea-thrift, to lift the weight from my heart.
He has also explored the genre of ekphrasis: the poetic reinterpretation of visual art. In that respect, he was interested in 17th-century Dutch and Flemish art.
Bibliography
Poetry
Mahon features on the Irish Leaving Certificate course with ten of his poems (Grandfather, Day Trip to Donegal, Ecclesiastes, After the Titanic, As It Should Be, A Disused Shed in Co. Wexford, Rathlin, The Chinese Restaurant in Portrush, Kinsale and Antarctica)[1].
Collections
1965: Twelve Poems. Festival Publications, Belfast
1968: Night-Crossing. Oxford University Press
1970: Ecclesiastes Phoenix Pamphlet Poets
1970: Beyond Howth Head. Dolmen Press
1972: Lives. Oxford University Press
1975: The Snow Party. Oxford University Press
1977: In Their Element. Arts Council of Northern Ireland
1979: Poems 1962–1978. Oxford University Press
1981: Courtyards in Delft. Gallery Press
1982: The Hunt By Night. Oxford University Press
1985: Antarctica. Gallery Press
1990: The Chinese Restaurant in Portrush: Selected Poems. Gallery Press
1991: Selected Poems. Viking
1992: The Yaddo Letter. Gallery Press
1995: The Hudson Letter. Gallery Press; Wake Forest University Press, 1996
1997: The Yellow Book. Gallery Press; Wake Forest University Press, 1998
Allen Randolph, Jody. Derek Mahon: A Comprehensive Bibliography. Irish University Review: Special Issue: Derek Mahon 24.1 (Spring/Summer 1994): 131–156.
Reggiani, Enrico. In Attesa della Vita, Introduzione alla Poetica di Derek Mahon, Vita e Pensiero, Milano 1996, pp. 432 [seconda ristampa: 2005]
Haughton, Hugh. The Poetry of Derek Mahon. Oxford: Oxford University Press, 2007.
Jarniewicz, Jerzy. Ekphrasis in the Poetry of Derek Mahon, Piotrkow: NWP Press, 2013, pp. 275, ISBN978-83-7726-056-2
Christopher Steare: Derek Mahon : a study of his poetry, London : Greenwich Exchange, 2017, ISBN978-1-910996-08-9
