Diane Morgan as Gemma Nerrick, a member of the public
Production
Death to 2021 is a sequel to Death to 2020, both productions of Broke and Bones—a company founded by Charlie Brooker and Annabel Jones, best-known for their work on science fiction anthology series Black Mirror. It followed several years of Weekly Wipe specials, hosted by Brooker, that humorously recapped news events from the year.[2][3][4][5]Death to 2020 received negative critical reception.[6]
For the 2021 special, Brooker had a reduced role—a Netflix spokesperson told British Comedy Guide that he was working on other productions for the streaming service.[7][8] A number of cast from 2020 returned, but others—for example, Lucy Liu, Stockard Channing and William Jackson Harper—debuted in 2021.[9][10] Ullman plays a different character to the 2020 special—an American news anchor, rather than the Queen.[11]
Reception
Entertainment.ie's Eoghan Cannon rated the film 2.5 out of 5, saying that it would be "unwatchable" without the strong cast, and is not sufficiently memorable for viewers to remember it the next morning. However, Cannon praised the coverage of light-hearted stories.[11] Ed Power of The Daily Telegraph gave it 1 star, lambasting it as lacking originality and nuance. He negatively portrayed the absence of Brooker, calling it a negative image of Black Mirror, but praised Morgan's joking comparison of Squid Game to The Great British Bake Off.[12]
Screen Rant criticized that the special had a "refusal to talk about cultural events outside of Netflix's domain", with segments about their original productions Bridgerton and Squid Game but omitting other television and film of the year.[13] According to The National, a joke about Glasgow being part of London was well-received by Scottish viewers.[14] Bruce Dessau of Beyond the Joke wrote that Death to 2021 was targeted at an American audience, to a further extent than the previous year's special. Dessau praised Morgan, Grant and Kayo, and said that pushback to a joke about Prince Philip's death came from people "that [have] clearly not seen a Brooker programme before".[15]
