Claude Barruck Joseph Lelouch (French:[klodləluʃ]; born 30 October 1937) is a French film director, writer, cinematographer, actor and producer. Lelouch grew up in an Algerian Jewish family. He emerged as a prominent director in the 1960s. Lelouch gained critical acclaim for his 1966 romantic melodrama film A Man and A Woman.[1] At the 39th Academy Awards in 1967, A Man and a Woman won Best Original Screenplay and Best Foreign Language Film.[2] Lelouch was also nominated for Best Director.[2] While his films have gained him international recognition since the 1960s, Lelouch's methods and style of film are known for attracting criticism.[3][4]
Life and career
Lelouch was born in the 9th arrondissement of Paris to Charlotte (née Abeilard) and Simon Lelouch.[5]
His father was born to an Algerian Jewish family while his mother was a convert to Judaism.[6][7] Lelouch says that his first contact with cinema was very young: "My mother hid me in movie theaters when I was little. We were wanted by the Gestapo. [...] Cinema, for starters, saved my life."[8] Of his personal faith, he says "Today I believe in God. My faith was sparked when I made a film in Israel. Over there, it is impossible not to believe in God. I loved the places of worship of all the religions. Everything which happens is for the best. I sometimes have the feeling that my inspiration comes from heaven. I think it is wonderful to be Jewish."[9]
His father bought him a camera as a fresh start after his failure in the baccalaureat. He started his career with a reportage – one of the first to film daily life in the Soviet Union, with the camera hidden under his coat as he made his personal journey. He also filmed sporting events, like the 24 Hours of Le Mans and the Tour de France.[10]
Lelouch served in the French Army working in the film unit where he made over 100 films. He was demobilized in 1960.[11]
His first full-length film as director, Le Propre de l'homme, was decried by the critics: "Claude Lelouch, remember this name well, because you will not hear it again" – Cahiers du cinéma said. La femme spectacle (1963), following prostitutes, women shopping, going for nose-jobs, was censored for its misogynist tendency. A Man and a Woman changed his fortunes and was met with favour even by the Cahiers group.[citation needed]
The 1981 musical epic Les Uns et les Autres is widely considered as his masterpiece, and his credits now add up to 50 or so films.
His 1976 film, C'était un rendez-vous purportedly features a Ferrari 275 GTB being driven at extreme speed through the streets of Paris at dawn. The entire short is shot from the point of view of the car. Legend has it that Lelouch was arrested after it was first shown publicly.[12] In a 2006 interview, Lelouch stated that he drove his own Mercedes-Benz 450SEL 6.9 in the film and created a soundtrack of the radically different sounding Italian sports car for effect.[13]
In 2020 Lelouch filmed his own modern 'remake' of his 1976 short film (in collaboration with Ferrari) C'était un rendez-vous entitled Le Grand Rendez-vous, set in Monaco instead of Paris and starring Monegasque racing driver Charles Leclerc.[15] Filming for the new version took place on the Circuit de Monaco on 24 May 2020 and features Leclerc driving a Ferrari SF90 Stradale. It was released on 13 June 2020.[16]
The film was criticised by The Verge as 'lifeless'.[17]
Top Gear's Chris Harris said on Twitter this version was 'lazy and badly executed'.[18]
^INA, Claude Lelouch (26 October 2017). "Le cinéma de Claude Lelouch en 13 vidéos" (in French). INA. "Passeurs d'histoires: vidéo "2011 - Lycée : la section cinéma reçoit Claude Lelouch". Retrieved 15 November 2018. Ma mère me cachait dans les salles de cinéma quand j'étais tout petit. On était recherché par le Gestapo. [...] Je pense que le cinéma a commencé par me sauver la vie.
