You can help expand this article with text translated from the corresponding article in French. (July 2018) Click [show] for important translation instructions.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Armand Salacrou]]; see its history for attribution.
You may also add the template {{Translated|fr|Armand Salacrou}} to the talk page.
Armand Camille Salacrou (9 August 1899 – 23 November 1989) was a French dramatist.
Biography
He was born in Rouen, but spent most of his childhood at Le Havre, and moved to Paris in 1917. His first works show the influence of the Surrealists.
He was the owner of a profitable advertising firm, but sold it in order to devote his time to writing plays. Encouraged by Charles Dullin, he wrote in a wide range of styles and enjoyed great success from the mid-1930s. His later work is usually grouped with that of the Existentialists. He flirted with communism during the 1920s and criticized capitalism in his play Boulevard Durand.[1] During the Nazi occupation of France, he participated in the clandestine French Resistance, an experience which he celebrated in Les Nuits de la colère.[2]
He was a member of the Académie Goncourt, and a library in his home town is named after him.
Plays
1923 : Magasin d'accessoires, Histoire de cirque, Le Casseur d'assiettes, Les Trente Tombes de Judas