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Anuradha (1960 film)

Anuradha
Poster
Directed byHrishikesh Mukherjee
Screenplay byShachin Bhowmick
Rajinder Singh Bedi
D. N. Mukherjee
Samir Chowdhary
Story bySachin Bhowmick
Produced byHrishikesh Mukherjee
L. B. Thakur
StarringBalraj Sahni
Leela Naidu
CinematographyJaywant Pathare
Edited byDas Dhaimade
Music byPandit Ravi Shankar (composer)
Shailendra (lyricist)
Release date
  • 1960 (1960)
Running time
141 minutes
CountryIndia
LanguageHindi

Anuradha (Hindi: अनुराधा; English: Love of Anuradha) is a 1960 Hindi-language Indian film produced and directed by Hrishikesh Mukherjee. The film stars Balraj Sahni and Leela Naidu in lead roles along with Asit Sen and Mukri. The film is noted for being Miss India Naidu's debut film.

The film's music was composed by Pandit Ravi Shankar, in one of his rare forays into Hindi cinema.[1] The film was based on a short story by Sachin Bhowmick, first published in the Bengali monthly magazine Desh, and according to his autobiography, Madame Bovary, the 1857 novel by Gustave Flaubert, inspired him to create this story.

The film went on to win the National Film Award for Best Feature Film and was nominated for the Golden Bear at the 11th Berlin International Film Festival in 1961.

Trivia

This dialogue by Nasir Hussain, "beti gaana gaao, main tumhare pita samaan hun" was repeated again in the film Abhimaan. It may be noted that dialogue writer and director of both the films were same; Rajinder Singh Bedi and Hrishikesh Mukherjee respectively.

Plot

Anuradha Roy (Leela Naidu), a noted radio singer, dancer and daughter of a rich man, falls in love with an idealistic doctor, Dr. Nirmal Chowdhary (Balraj Sahni). She decides to marry him against her father's will. Nirmal, whose mother died of illness, has decided to serve the poor in the distant village of Nandagaon. He asks Anuradha to not follow the hardships his life has, but to live the life her father plans. But she still insists to follow her love. She rejects the wedding proposal set by her father with the London-returned Deepak (Abhi Bhattacharya). Deepak wishes her well, and promises to help her in the future if she ever needs it.

After the marriage and a daughter, Anuradha realizes the gravity of the choice of living in a village. Taking care of the family, doing all household chores, she quits singing, the singing that once was her life. One day, after many years, her father visits her family and reconciles. Seeing her poor condition, he then asks them to come and stay in the city with him. But, due to his patients, Nirmal rejects the offer and promises to move after some time.

Deepak, while travelling with his girlfriend meets with a car accident and is hence rushed to Dr. Nirmal. Nirmal does successful plastic surgery on his girlfriend. Deepak gets to stay with Anuradha for a few days and realizes her hardships. He requests her to leave Nirmal and move to the city and pursue her passion for music. It is then that she has to decide between her love for her husband and music. The clinching moment is when Dr. Nirmal concedes to her desire to leave him and restart her life in the city. At this point she asks him: "Can't you ask him to go away? And never come back again?" indicating that she has no plans to leave him (her husband).

Cast

Awards

National Film Awards
Berlin International Film Festival

Soundtrack

The film music department had a rare combination, sitar maestro Pandit Ravi Shankar, with lyricist Shailendra.

  • "Jaane Kaise Sapno Main" - Lata Mangeshkar
  • "Sanware Sanware Kahe Mose" - Lata Mangeshkar
  • "Kaise Din Beete, Kaise Beeti Ratiyan" - Lata Mangeshkar [3]
  • "Bahut Din Huye" - Mahendra Kapoor
  • "Hai Re Woh Din Kyon Na Aaye" - Lata Mangeshkar [4]

References

  1. ^ Hrishikesh Mukherjee Biography Archived 15 October 2007 at the Wayback Machine on winning, the 31st Dada Saheb Phalke Award.
  2. ^ "8th National Film Awards". International Film Festival of India. Archived from the original on 23 November 2016. Retrieved 7 September 2011.
  3. ^ "Kaise Din Beete" on YouTube
  4. ^ Songs of Anuradha 1960 Archived 25 September 2008 at the Wayback Machine
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