De la Fuente has curated several exhibits on race, serving as the author or editor of the corresponding publication: Queloides: Race and Racism in Cuban Contemporary Art (shown in 2010 to 2012 in Havana, Pittsburgh, New York City and Cambridge, Massachusetts); Drapetomania: Grupo Antillano and the Art of Afro-Cuba (2013 to 2016 in Santiago de Cuba-Havana-New York City, Cambridge, Massachusetts, San Francisco, Philadelphia, and Chicago)[2] and Diago: The Pasts of this Afro-Cuban Present (Cambridge, Massachusetts and Miami, ongoing).[3][1]
Works
Books
A Nation for All: Race, Inequality, and Politics in Twentieth-Century Cuba (University of North Carolina Press, 2001);[4][5] in Spanish, Una nación para todos: raza, desigualdad y política en Cuba, 1900-2000 (Editorial Colibrí, 2001)
Havana and the Atlantic in the Sixteenth Century (University of North Carolina Press, 2008)[6][7][8]
Becoming Free, Becoming Black: Race, Freedom, and Law in Cuba, Virginia, and Louisiana with Ariela J. Gross (Cambridge University Press, 2020)
^Geserick, Marco Cabrera (2012-09-07). "Havana and the Atlantic in the Sixteenth Century (review)". Cuban Studies. 42 (1): 239–242. doi:10.1353/cub.2011.0000. ISSN1548-2464.