The winners were announced during the awards ceremony on March 21, 1999.[11]Life Is Beautiful was the second film nominated simultaneously for Best Picture and Best Foreign Language Film in the same year (the first being Z in 1969).[12] Moreover, its 7 nominations were the most for a foreign language film, to date.[13] Best Actor winner Roberto Benigni was the second person to direct himself to an acting Oscar win. Laurence Olivier first achieved this feat for his performance in 1948's Hamlet.[14] He also became the fourth individual to earn acting, directing, screenwriting nominations for the same film.[15] In addition, Benigni was the third performer to win an Oscar for a non-English speaking role.[16] By virtue of their nominations for portraying Queen Elizabeth I of England, Best Actress nominee Cate Blanchett and Best Supporting Actress winner Judi Dench became the first pair of actresses to earn acting nominations in the same year for portraying the same character in different films.[17]
Introducer of the special dance number to the tune of the Best Original Dramatic Score nominees and presenter of the award for Best Original Dramatic Score
Riding on the success of the previous year's ceremony which garnered record-high viewership figures and several Emmys, AMPAS sought changes to the festivities that would help build upon this recent success. In June 1998, Academy president Robert Rehme announced that the show would be held on a Sunday for the first time in history.[24] AMPAS and network ABC hoped to capitalize on the high television ratings and viewership that benefit programs airing on that particular day of the week.[25] The Academy also stated that the move to Sunday would ease concerns about traffic gridlock and transportation that are significantly lower on weekends.[26]
The following January, Gil Cates was selected as a producer of the telecast.[27] He immediately selected Oscar-winning actress Whoopi Goldberg as host of the 1999 ceremony.[28] Cates explained his decision to bring back Goldberg as host saying, "The audience adores Whoopi and that affection, plus Whoopi's extraordinary talent makes her a terrific host for the show."[29] In a statement, Goldberg expressed that she was honored and excited to be selected to emcee the telecast commenting, "I am thrilled to escort Oscar into the new millennium. Who would have thought that I would be hosting the last Oscar telecast of the century? It's a huge deal."[29]
Several other people participated in the production of the ceremony and its related events. Bill Conti served as musical director for the festivities.[30] In addition to supervising the Best Song nominee performances, choreographer Debbie Allen produced a dance number featuring five dancers from around the world showcasing the nominees for Best Original Dramatic Score.[31] For the first time, the Academy produced its own pre-show that preceded the main telecast. Produced by Dennis Doty, the half-hour program was hosted by actress Geena Davis and CNN reporter Jim Moret.[32] Similar to coverage of red carpet arrivals on networks such as E!, the pre-show featured interviews with nominees and other guests, recaps of nominations and segments highlighting behind-the-scenes preparations for the telecast.[33]
Box office performance of nominees
At the time of the nominations announcement on February 9, the combined gross of the five Best Picture nominees was $302 million with an average of $60.4 million per film.[34]Saving Private Ryan was the highest earner among the Best Picture nominees with $194.2 million in domestic box office receipts. The film was followed by Shakespeare in Love ($36.5 million), The Thin Red Line ($30.6 million), Elizabeth ($21.5 million), and finally Life is Beautiful ($18.4 million).[34]
Of the top 50 grossing movies of the year, 36 nominations went to 13 films on the list. Only Saving Private Ryan (2nd), The Truman Show (11th), A Civil Action (40th) and Primary Colors (50th) were nominated for Best Picture, directing, acting or screenwriting.[35] The other top 50 box office hits that earned nominations were Armageddon (1st), A Bug's Life (5th), Patch Adams (12th), Mulan (13th), The Mask of Zorro (17th), The Prince of Egypt (18th), The Horse Whisperer (24th), What Dreams May Come (37th) and Pleasantville (49th).[35]
Critical reviews
The show received a mixed reception from media publications. Columnist Lisa Schwarzbaum of Entertainment Weekly quipped that "Whoopi bombed last night, she knew it—and yet, crassly, she took it as a sign of her own outrageousness."[36]The Washington Post television critic Tom Shales bemoaned that Goldberg "spent a great deal of time laughing at her own jokes, many of which were dirty, a few dirty." He also lambasted the host's presentation of the five Best Costume Design nominees saying calling it time-consuming and tasteless.[37] Film critic John Hartl of The Seattle Times lamented that the telecast "was the longest and possibly the dullest Oscar show of the century, clocking in at four hours."[38]
Other media outlets received the broadcast more positively. Television columnist Robert Bianco of USA Today commended Goldberg's hosting performance writing that he liked "the sharper, more socially conscious edge Goldberg brings."[39]The Boston Globe television critic Matthew Gilbert commented, "It was the perfect year with more than enough Hollywood intrigue and a battle for her to play off."[37] Joanne Ostrow of The Denver Post raved that "Whoopi definitely was on, more so than in her two previous hosting stints." She added that "the show was exceptionally smooth."[40]
Ratings and reception
The American telecast on ABC drew an average of 45.51 million viewers over its length, which was an 18% decrease from the previous year's ceremony.[41][42] An estimated 78.10 million total viewers watched all or part of the awards.[42] The show also drew lower Nielsen ratings compared to the previous ceremony with 28.63% of households watching over a 47.79 share.[43] It also drew a lower 18–49 demo rating with an 18.85 rating over a 37.31 share among viewers in that demographic.[44]
In July 1999, the show received seven nominations at the 51st Primetime Emmy Awards.[45] Two months later, the ceremony won two of those nominations for Outstanding Art Direction for a Variety or Music Program (Roy Christopher and Stephen Olson) and Outstanding Lighting Direction for a Drama Series, Variety Series, Miniseries, Movie, or Special (Robert Dickinson, Robert T. Barnhart, Andy O'Reilly, Matt Ford).[46]
In Memoriam
The annual In Memoriam tribute was presented by actress Annette Bening. The montage featured an excerpt of the main title from Ever After composed by George Fenton.[47]
^Madigan, Nick (June 26, 1998). "Sunday officially Oscar's". Variety. Archived from the original on January 10, 2014. Retrieved January 10, 2014.
^Welkos, Robert W. (March 13, 1999). "Cinema's Super Sunday". Los Angeles Times. Archived from the original on January 10, 2014. Retrieved January 10, 2014.
Kinn, Gail; Piazza, Jim (2002), The Academy Awards: The Complete Unofficial History, New York, United States: Workman Publishing Company, ISBN978-1579123963
Osborne, Robert (2013). 85 Years of the Oscar: The Complete History of the Academy Awards. New York, United States: Abbeville Publishing Group. ISBN978-0-7892-1142-2.