Étude No. 10 (Villa-Lobos)Heitor Villa-Lobos's Étude No. 10, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953. HistoryThe autograph manuscript of Etude No. 10 is dated 1929, Paris.[1] StructureThe piece is in B minor and is marked Très animé – un peu animé – vif.[2] AnalysisÉtude No. 10 is a study in technique that presents great challenges to the player. It is in ternary form (ABA), but the return of the opening material is transformed into dance-like rhythmic cells. An unusual technical feature is the use of the right-hand little finger.[3] References
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