Gerhard Menzel

Gerhard Menzel
Gerhard Menzel
Lahir	29 September 1894; Waldenburg, Jerman (kini Walbrzych, Polandia)
Meninggal	4 Mei 1966 (umur 71); Comano, Ticino, Swiss
Pekerjaan	Penulis naskah
Tahun aktif	1933–1965
	(1927) Kleist Prize (en) ;

Gerhard Menzel (29 September 1894 – 4 Maret 1966) adalah seorang penulis naskah asal Jerman. Ia menulis untuk 38 film antara 1933 dan 1965. Ia mendukung Nazisme dan bekerja untuk propaganda Nazi.^[1]^[2] Ia bertanggung jawab untuk penulisan naskah Heimkehr, salah satu karya paling menonjol dari sinema Nazi, yang menampilkan rasisme dan kebencian terhadap Polandia.^[3]

Ia lahir di Waldenburg, Silesia Hilir, Jerman (kini Walbrzych, Polandia) dan meninggal di Comano, Ticino, Swiss.

Filmografi pilihan

Morgenrot (1933)
Refugees (1933)
Night in May (1934)
The Young Baron Neuhaus (1934)
Savoy Hotel 217 (1936)
Under Blazing Heavens (1936)
Wells in Flames (1937)
La Habanera (1937)
Woman in the River (1939)
A Mother's Love (1939)
Robert Koch (1939)
Heimkehr (1941)
The Great King (1942)
Destiny (1942)
Late Love (1943)
The Heart Must Be Silent (1944)
The Sinner (1951)
Hanussen (1955)
Ich suche Dich (1956)
King in Shadow (1957)

Referensi

^ No Place Like Home: Locations Of Heimat In German Cinema - Page 56 Johannes Von Moltke - 2005 In the words of the scriptwriter, Gerhard Menzel (a Nazi loyalist and renowned playwright who had collaborated with Ucicky on Flüchtlinge in 1933),
^ The Ministry of Illusion: Nazi Cinema and Its Afterlife By Eric Rentschler page 131 Menzel was a well known party loyalist, and his fervent nationalism was no secret. He provided the scenarios for some of Nazi cinema's most strident productions
^ The Ministry of Illusion: Nazi Cinema and Its Afterlife By Eric Rentschler page 132

Pranala luar

Gerhard Menzel di IMDb (dalam bahasa Inggris)

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[1] No Place Like Home: Locations Of Heimat In German Cinema - Page 56 Johannes Von Moltke - 2005 In the words of the scriptwriter, Gerhard Menzel (a Nazi loyalist and renowned playwright who had collaborated with Ucicky on Flüchtlinge in 1933),

[2] The Ministry of Illusion: Nazi Cinema and Its Afterlife By Eric Rentschler page 131 Menzel was a well known party loyalist, and his fervent nationalism was no secret. He provided the scenarios for some of Nazi cinema's most strident productions

[3] The Ministry of Illusion: Nazi Cinema and Its Afterlife By Eric Rentschler page 132

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