Frank Wedekind

Frank Wedekind
Frank Wedekind
	pada 1883
Lahir	Benjamin Franklin Wedekind; 24 Juli 1864; Hanover, Konfederasi Jerman
Meninggal	9 Maret 1918 (umur 53); Munich, Kekaisaran Jerman
Kebangsaan	Jerman
Pekerjaan	pengarang sandiwara

Benjamin Franklin Wedekind (24 Juli 1864 – 9 Maret 1918) adalah seorang pengarang sandiwara asal Jerman. Seringkali mengkritik sikap burjois (terutama terhadap seks), karyanya dianggap mempelopori ekspresionisme dan mempengaruhi pengembangan teater epik.^[1]

Referensi

Catatan

^ See Banham (1998) and Willett (1959). In his Messingkauf Dialogues, Brecht cites Wedekind, along with Büchner and Valentin, as his "chief influences" in his early years: "he", Brecht writes of himself in the third person, "also saw the writer Wedekind performing his own works in a style which he had developed in cabaret. Wedekind had worked as a ballad singer; he accompanied himself on the lute." (1965, 69).

Daftar pustaka

Banham, Martin, ed. 1998. "Wedekind, Frank." In The Cambridge Guide to Theatre. Cambridge: Cambridge University Press. ISBN 0-521-43437-8. p. 1189-1190.
Boa, Elizabeth. 1987. The Sexual Circus: Wedekind's Theatre of Subversion. Oxford and New York: Basil Blackwell. ISBN 0-631-14234-7.
Brecht, Bertolt. 1965. The Messingkauf Dialogues. Trans. John Willett. Bertolt Brecht: Plays, Poetry, Prose Ser. London: Methuen, 1985. ISBN 0-413-38890-5.
Mueller, Carl R. 2000. Introduction to Frank Wedekind: Four Major Plays, Vol 1. Lyme, New Hampshire: Smith and Kraus.
Willett, John. 1967. The Theatre of Bertolt Brecht: A Study from Eight Aspects. Third rev. ed. London: Methuen, 1977. ISBN 0-413-34360-X.

Pranala luar

Karya Frank Wedekind di Project Gutenberg
Karya oleh/tentang Frank Wedekind di Internet Archive (pencarian dioptimalkan untuk situs non-Beta)
Karya Frank Wedekind di LibriVox (buku suara domain umum)

[express-1] See Banham (1998) and Willett (1959). In his Messingkauf Dialogues, Brecht cites Wedekind, along with Büchner and Valentin, as his "chief influences" in his early years: "he", Brecht writes of himself in the third person, "also saw the writer Wedekind performing his own works in a style which he had developed in cabaret. Wedekind had worked as a ballad singer; he accompanied himself on the lute." (1965, 69).

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